Music, Communities, Sustainability
Developing Policies and Practices
Herausgeber: Schippers, Huib; Seeger, Anthony
Music, Communities, Sustainability
Developing Policies and Practices
Herausgeber: Schippers, Huib; Seeger, Anthony
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In Music, Communities, Sustainability, editors Huib Schippers and Anthony Seeger bring together a diverse roster of thinkers and practitioners to offer new perspectives on the effects of the 2003 UNESCO Convention on Safeguarding of the Intangible Cultural Heritage, and on efforts around the world to treat music as one essential Intangible Cultural Heritage of humankind.
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In Music, Communities, Sustainability, editors Huib Schippers and Anthony Seeger bring together a diverse roster of thinkers and practitioners to offer new perspectives on the effects of the 2003 UNESCO Convention on Safeguarding of the Intangible Cultural Heritage, and on efforts around the world to treat music as one essential Intangible Cultural Heritage of humankind.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press Inc
- Seitenzahl: 296
- Erscheinungstermin: 3. August 2022
- Englisch
- Abmessung: 233mm x 153mm x 21mm
- Gewicht: 416g
- ISBN-13: 9780197609118
- ISBN-10: 0197609112
- Artikelnr.: 64533811
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Oxford University Press Inc
- Seitenzahl: 296
- Erscheinungstermin: 3. August 2022
- Englisch
- Abmessung: 233mm x 153mm x 21mm
- Gewicht: 416g
- ISBN-13: 9780197609118
- ISBN-10: 0197609112
- Artikelnr.: 64533811
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Huib Schippers has a thirty-year history of leadership positions in music performance, community engagement, sustainability, education and training across cultures, including the Amsterdam World Music School (1990-1996); the World Music & Dance Centre in Rotterdam (2001-2006), Queensland Conservatorium Research Centre, Griffith University (2003-2015), and Smithsonian Folkways Recordings (2016-2020). His innovative work in culturally diverse music education and music sustainability culminated in dozens of journal articles and major publications with Oxford University Press, including Facing the Music: Shaping Music Education from a Global Perspective (2010); and Sustainable Futures for Music Cultures: An Ecological Perspective (2016). Recently returned to his native Amsterdam, he now divides his time between writing, lecturing, mentoring and consulting with academic and arts organizations. Anthony Seeger is an anthropologist, ethnomusicologist, audiovisual archivist, record producer, and musician. He is author of three books on the Kîsêdjê/Suyá Indigenous people in Brazil, four edited volumes, and over 130 shorter publications on ethnomusicology, audiovisual archiving, music ownership, intangible cultural heritage and other topics. He has taught at the National Museum in Rio de Janeiro (1975-1982), the Brazilian Conservatory of Music (1980-1982), Indiana University (1982-1988), and UCLA (2000-2012). He served as director of the Indiana University Archives of Traditional Music (1982-1988), was founding curator and director of Smithsonian Folkways Recordings (1988-2000), and Distinguished Professor of Ethnomusicology at UCLA (2000-2012).
* Acknowledgements * Foreword
Jeff Todd Titon * 1. Introduction: Approaching music as Intangible Cultural Heritage (ICH)
Anthony Seeger and Huib Schippers * PART ONE: THE GENESIS OF THE ICH CONVENTION * 2. Recognizing Intangible Cultural Heritage
Richard Kurin * 3. Modalities for community participation in implementing the UNESCO ICH Convention
Noriko Aikawa
Fauré * 4. Definitions related to the safeguarding of living culture: Words matter
Wim van Zanten (summary; full text available on companion website) * 5. Reclaiming community agency in managing Intangible Cultural Heritage: Paperwork, people, and the potential of the public voice
Naila Ceribai¿ * PART TWO: THE ICH CONVENTION IN ACTION * 6. The "ICH Movement" in China: The Status of Traditional Musics after ICH Certification
XIAO Mei and YANG Xiao * 7. UNESCO
based and UNESCO
free: Governmental and Non
Governmental Efforts for Safeguarding Intangible Cultural Heritage
Olcay Muslu * 8. Community Engagement as a Site of Struggle: UNESCO Conventions, Intangible Cultural Heritage, and State Agendas
Tan Sooi Beng * 9. There Is No Price for That: UNESCO as Translator Between Conflicting Value Systems in Guatemala
Logan Elizabeth Clark * 10. Sustainability, Agency, and the Ecologies of Music Heritage in Alentejo, Portugal
Salwa El
Shawan Castelo
Branco * PART THREE: FUTURE PERSPECTIVES * 11. Reading ICH in Cultural Space: China's National Cultural Ecosystem (Experimental) Conservation Areas
GAO Shu * 12. Archives, Technology, Communities, and Sustainability: Overcoming the Tragedy of Humpty Dumpty
Anthony Seeger (summary; full text available on companion website) * 13. Mapping Musical Vitality: A Comparative Approach to Identifying Musical Heritage in Need of Safeguarding
Catherine Grant * 14. Working Musically Through Crisis: What Will It Take to Push for a Sound(er) Future for Haiti?
Rebecca Dirksen
Jeff Todd Titon * 1. Introduction: Approaching music as Intangible Cultural Heritage (ICH)
Anthony Seeger and Huib Schippers * PART ONE: THE GENESIS OF THE ICH CONVENTION * 2. Recognizing Intangible Cultural Heritage
Richard Kurin * 3. Modalities for community participation in implementing the UNESCO ICH Convention
Noriko Aikawa
Fauré * 4. Definitions related to the safeguarding of living culture: Words matter
Wim van Zanten (summary; full text available on companion website) * 5. Reclaiming community agency in managing Intangible Cultural Heritage: Paperwork, people, and the potential of the public voice
Naila Ceribai¿ * PART TWO: THE ICH CONVENTION IN ACTION * 6. The "ICH Movement" in China: The Status of Traditional Musics after ICH Certification
XIAO Mei and YANG Xiao * 7. UNESCO
based and UNESCO
free: Governmental and Non
Governmental Efforts for Safeguarding Intangible Cultural Heritage
Olcay Muslu * 8. Community Engagement as a Site of Struggle: UNESCO Conventions, Intangible Cultural Heritage, and State Agendas
Tan Sooi Beng * 9. There Is No Price for That: UNESCO as Translator Between Conflicting Value Systems in Guatemala
Logan Elizabeth Clark * 10. Sustainability, Agency, and the Ecologies of Music Heritage in Alentejo, Portugal
Salwa El
Shawan Castelo
Branco * PART THREE: FUTURE PERSPECTIVES * 11. Reading ICH in Cultural Space: China's National Cultural Ecosystem (Experimental) Conservation Areas
GAO Shu * 12. Archives, Technology, Communities, and Sustainability: Overcoming the Tragedy of Humpty Dumpty
Anthony Seeger (summary; full text available on companion website) * 13. Mapping Musical Vitality: A Comparative Approach to Identifying Musical Heritage in Need of Safeguarding
Catherine Grant * 14. Working Musically Through Crisis: What Will It Take to Push for a Sound(er) Future for Haiti?
Rebecca Dirksen
* Acknowledgements * Foreword
Jeff Todd Titon * 1. Introduction: Approaching music as Intangible Cultural Heritage (ICH)
Anthony Seeger and Huib Schippers * PART ONE: THE GENESIS OF THE ICH CONVENTION * 2. Recognizing Intangible Cultural Heritage
Richard Kurin * 3. Modalities for community participation in implementing the UNESCO ICH Convention
Noriko Aikawa
Fauré * 4. Definitions related to the safeguarding of living culture: Words matter
Wim van Zanten (summary; full text available on companion website) * 5. Reclaiming community agency in managing Intangible Cultural Heritage: Paperwork, people, and the potential of the public voice
Naila Ceribai¿ * PART TWO: THE ICH CONVENTION IN ACTION * 6. The "ICH Movement" in China: The Status of Traditional Musics after ICH Certification
XIAO Mei and YANG Xiao * 7. UNESCO
based and UNESCO
free: Governmental and Non
Governmental Efforts for Safeguarding Intangible Cultural Heritage
Olcay Muslu * 8. Community Engagement as a Site of Struggle: UNESCO Conventions, Intangible Cultural Heritage, and State Agendas
Tan Sooi Beng * 9. There Is No Price for That: UNESCO as Translator Between Conflicting Value Systems in Guatemala
Logan Elizabeth Clark * 10. Sustainability, Agency, and the Ecologies of Music Heritage in Alentejo, Portugal
Salwa El
Shawan Castelo
Branco * PART THREE: FUTURE PERSPECTIVES * 11. Reading ICH in Cultural Space: China's National Cultural Ecosystem (Experimental) Conservation Areas
GAO Shu * 12. Archives, Technology, Communities, and Sustainability: Overcoming the Tragedy of Humpty Dumpty
Anthony Seeger (summary; full text available on companion website) * 13. Mapping Musical Vitality: A Comparative Approach to Identifying Musical Heritage in Need of Safeguarding
Catherine Grant * 14. Working Musically Through Crisis: What Will It Take to Push for a Sound(er) Future for Haiti?
Rebecca Dirksen
Jeff Todd Titon * 1. Introduction: Approaching music as Intangible Cultural Heritage (ICH)
Anthony Seeger and Huib Schippers * PART ONE: THE GENESIS OF THE ICH CONVENTION * 2. Recognizing Intangible Cultural Heritage
Richard Kurin * 3. Modalities for community participation in implementing the UNESCO ICH Convention
Noriko Aikawa
Fauré * 4. Definitions related to the safeguarding of living culture: Words matter
Wim van Zanten (summary; full text available on companion website) * 5. Reclaiming community agency in managing Intangible Cultural Heritage: Paperwork, people, and the potential of the public voice
Naila Ceribai¿ * PART TWO: THE ICH CONVENTION IN ACTION * 6. The "ICH Movement" in China: The Status of Traditional Musics after ICH Certification
XIAO Mei and YANG Xiao * 7. UNESCO
based and UNESCO
free: Governmental and Non
Governmental Efforts for Safeguarding Intangible Cultural Heritage
Olcay Muslu * 8. Community Engagement as a Site of Struggle: UNESCO Conventions, Intangible Cultural Heritage, and State Agendas
Tan Sooi Beng * 9. There Is No Price for That: UNESCO as Translator Between Conflicting Value Systems in Guatemala
Logan Elizabeth Clark * 10. Sustainability, Agency, and the Ecologies of Music Heritage in Alentejo, Portugal
Salwa El
Shawan Castelo
Branco * PART THREE: FUTURE PERSPECTIVES * 11. Reading ICH in Cultural Space: China's National Cultural Ecosystem (Experimental) Conservation Areas
GAO Shu * 12. Archives, Technology, Communities, and Sustainability: Overcoming the Tragedy of Humpty Dumpty
Anthony Seeger (summary; full text available on companion website) * 13. Mapping Musical Vitality: A Comparative Approach to Identifying Musical Heritage in Need of Safeguarding
Catherine Grant * 14. Working Musically Through Crisis: What Will It Take to Push for a Sound(er) Future for Haiti?
Rebecca Dirksen