In Music Criticism and Music Critics in Early Francoist Spain, Eva Moreda Rodr¿ez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Carefully selecting contemporary writings by well-known music critics, Moreda Rodr¿ez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth centuryonwards.
In Music Criticism and Music Critics in Early Francoist Spain, Eva Moreda Rodr¿ez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Carefully selecting contemporary writings by well-known music critics, Moreda Rodr¿ez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth centuryonwards.
Eva Moreda Rodríguez specializes in the political and cultural history of Spanish music during the 20th century. She has published on topics such as Hispanic-German music festivals during the Second World War, the rehabilitation of exiled composers in Francoist Spain, and Spanish music in Britain during the First World War. She holds a PhD from Royal Holloway College, University of London, and currently works at the University of Glasgow.
Inhaltsangabe
* Acknowledgements * Abbreviations * Introduction * Chapter 1. How to be a music critic in 1940s Spain. Expectations and restrictions * Chapter 2. Reviewing contemporary music * Chapter 3. The sound of Hispanidad: reviewing early music * Chapter 4. Reviewing traditional music: towards the unity of the men and the land of Spain * Conclusion * Appendix I. Publications, 1939-1951 * Appendix II. Music critics * References
* Acknowledgements * Abbreviations * Introduction * Chapter 1. How to be a music critic in 1940s Spain. Expectations and restrictions * Chapter 2. Reviewing contemporary music * Chapter 3. The sound of Hispanidad: reviewing early music * Chapter 4. Reviewing traditional music: towards the unity of the men and the land of Spain * Conclusion * Appendix I. Publications, 1939-1951 * Appendix II. Music critics * References
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