This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: The Role of Criticism in Interwar Musical Culture Christopher Moore and Barbara L. Kelly Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments Michel Duchesneau Nostalgia and Violence in the Music Criticism of L'Action française Christopher Moore Charles Koechlin: The Figure of the Expert Philippe Cathé Bleu horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) Jann Pasler Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France Barbara L. Kelly Arthur Honegger: Music Critic for Musique et Théâtre (1925 1926) Pascal Lécroart A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919 1923 Kimberly Francis From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier Caroline Rae Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas Marianne Wheeldon The Legacy of War: Conceptualising Wartime Musical Life in the Post War Musical Press, 1919 1920 Rachel Moore Jacinthe Harbec, Satie, Relâche and the Press: Controversies and Legacy Jacinthe Harbec Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity Danick Trottier Bibliography
Introduction: The Role of Criticism in Interwar Musical Culture Christopher Moore and Barbara L. Kelly Music Criticism and Aesthetics during the Interwar Period: Fewer Crimes and More Punishments Michel Duchesneau Nostalgia and Violence in the Music Criticism of L'Action française Christopher Moore Charles Koechlin: The Figure of the Expert Philippe Cathé Bleu horizon Politics and Music for Radio Listeners: L'Initiation à la musique (1935) Jann Pasler Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France Barbara L. Kelly Arthur Honegger: Music Critic for Musique et Théâtre (1925 1926) Pascal Lécroart A Woman's Critical Voice: Nadia Boulanger and Le Monde musical, 1919 1923 Kimberly Francis From a Foreign Correspondent: the Parisian Chronicles of Alejo Carpentier Caroline Rae Debussy's 'Reputational Entrepreneurs': Vuillermoz, Koechlin, Laloy, and Vallas Marianne Wheeldon The Legacy of War: Conceptualising Wartime Musical Life in the Post War Musical Press, 1919 1920 Rachel Moore Jacinthe Harbec, Satie, Relâche and the Press: Controversies and Legacy Jacinthe Harbec Creating a Canon: Émile Vuillermoz's Musiques d'aujourd'hui and French Musical Modernity Danick Trottier Bibliography
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