Music, Culture and Identity in the Muslim World
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Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity.…mehr

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Produktbeschreibung
Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity.
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Autorenporträt
Kamal Salhi is Reader in Francophone, Postcolonial and North African Studies at the University of Leeds and Deputy Director of the Leeds Centre for African Studies, UK. He is the founder and editor of two academic journals, Performing Islam and the International Journal of Francophone Studies. He is the founding director of the Leeds Centre for Francophone Studies (1997-2003) which has developed into the Centre of French and Francophone Cultural Studies. Dr Salhi has recently completed with Distinction an AHRC/ESRC funded research project, 'Performance, Politics and Piety: Music as Debate in the Muslim World'.