This collection deals with various manifestations of Argentine music and dance and how they relate to affects, feelings, and emotions, showing how music creates particular atmospheres, via the induction, modulation and circulation of affects and emotions, which are felt but, at the same time, they do not belong to anybody in particular.
This collection deals with various manifestations of Argentine music and dance and how they relate to affects, feelings, and emotions, showing how music creates particular atmospheres, via the induction, modulation and circulation of affects and emotions, which are felt but, at the same time, they do not belong to anybody in particular.
Pablo Vila is professor of sociology at Temple University.
Inhaltsangabe
Contents Acknowledgments Introduction Pablo Vila Chapter One: Music, Dance, Affect, and Emotions: Where We Are Now. Pablo Vila Chapter Two: The Embodiment of Gozo.: Aesthetic, Emotion and Politics in the Indigenous Song-dances of the Argentine Chaco Silvia Citro and Adriana Cerletti Chapter Three: Traditional Sonorous Poetics. Ways of Appropriation and Perception of "Andean" Music and Practices in Buenos Aires. Adil Podhajcer Chapter Four: Pleasures in Conflict: Maternity, Eroticism, and Sexuality in Tango Dancing Juliana Verdenelli, Translated by Elliot Prussing Chapter Five: Self-Expression Through Self-Discipline. Technique, Expression, and Losing Oneself in Classical Dance Ana Sabrina Mora, Translated by Elliot Prussing Chapter Six: Did Cumbia Villera Bother Us? Criticisms on the Academic Common Sense Representation of the Link Between Women and Music Malvina Silba and Carolina Spataro, Translated by Federico Álvarez Gandolfi Chapter Seven: Peronism and Communism, Feelings and Songs: Militant Affects in Two Versions of the Political Song in Argentina Carlos Molinero and Pablo Vila Chapter Eight: Music, Dance, Affect, and Emotions: Where We Can Be Pablo Vila About the Contributors
Contents Acknowledgments Introduction Pablo Vila Chapter One: Music, Dance, Affect, and Emotions: Where We Are Now. Pablo Vila Chapter Two: The Embodiment of Gozo.: Aesthetic, Emotion and Politics in the Indigenous Song-dances of the Argentine Chaco Silvia Citro and Adriana Cerletti Chapter Three: Traditional Sonorous Poetics. Ways of Appropriation and Perception of "Andean" Music and Practices in Buenos Aires. Adil Podhajcer Chapter Four: Pleasures in Conflict: Maternity, Eroticism, and Sexuality in Tango Dancing Juliana Verdenelli, Translated by Elliot Prussing Chapter Five: Self-Expression Through Self-Discipline. Technique, Expression, and Losing Oneself in Classical Dance Ana Sabrina Mora, Translated by Elliot Prussing Chapter Six: Did Cumbia Villera Bother Us? Criticisms on the Academic Common Sense Representation of the Link Between Women and Music Malvina Silba and Carolina Spataro, Translated by Federico Álvarez Gandolfi Chapter Seven: Peronism and Communism, Feelings and Songs: Militant Affects in Two Versions of the Political Song in Argentina Carlos Molinero and Pablo Vila Chapter Eight: Music, Dance, Affect, and Emotions: Where We Can Be Pablo Vila About the Contributors
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