Andere Kunden interessierten sich auch für
![Habitus in Habitat I- Emotion and Motion]( "Habitus in Habitat I- Emotion and Motion")
Habitus in Habitat I- Emotion and Motion97,20 €![Black Music, Black Poetry]( "Black Music, Black Poetry")
Black Music, Black Poetry195,99 €![Native Sons]( "Native Sons")
Native Sons118,99 €![Buck Summer. Summers on the Lonely Isle]( "Buck Summer. Summers on the Lonely Isle")
Buck Summer. Summers on the Lonely Isle12,99 €![In Search of Ulster-Scots Land]( "In Search of Ulster-Scots Land")
In Search of Ulster-Scots Land60,99 €![Munsee Indian Trade in Ulster County New York 1712-1732]( "Munsee Indian Trade in Ulster County New York 1712-1732")
Munsee Indian Trade in Ulster County New York 1712-173239,99 €![The Constitution of the Society of Sons of the Revolution]( "The Constitution of the Society of Sons of the Revolution")
The Constitution of the Society of Sons of the Revolution12,90 €
Ulster's marching bands form perhaps the most vibrant participatory folk music tradition in contemporary Europe, and are one of the most significant and visible elements of working-class loyalist culture in the divided society of Northern Ireland. Their significance springs largely from the central place they have assumed in the lives of their members.
This book presents an ethnography of three County Antrim flute bands from the very different genres of 'part-music', 'melody' and 'blood and thunder'. The author explores the emotional rewards of communal music-making and the way that identities are formed through the acquisition of tastes, competences and skills within specific communal contexts, paying particular attention to the impact of class position. These issues are examined in the context of the competitions, concerts and street parades that are central to the social lives of thousands of band members and supporters in Northern Ireland.
This book presents an ethnography of three County Antrim flute bands from the very different genres of 'part-music', 'melody' and 'blood and thunder'. The author explores the emotional rewards of communal music-making and the way that identities are formed through the acquisition of tastes, competences and skills within specific communal contexts, paying particular attention to the impact of class position. These issues are examined in the context of the competitions, concerts and street parades that are central to the social lives of thousands of band members and supporters in Northern Ireland.