Music History and Cosmopolitanism
Herausgeber: Belina, Anastasia; Scott, Derek B; Kilpiö, Kaarina
Music History and Cosmopolitanism
Herausgeber: Belina, Anastasia; Scott, Derek B; Kilpiö, Kaarina
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This first book-length study of music history and cosmopolitanism is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives.
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This first book-length study of music history and cosmopolitanism is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 182
- Erscheinungstermin: 31. März 2021
- Englisch
- Abmessung: 234mm x 156mm x 11mm
- Gewicht: 286g
- ISBN-13: 9780367785956
- ISBN-10: 0367785951
- Artikelnr.: 61210899
- Verlag: Routledge
- Seitenzahl: 182
- Erscheinungstermin: 31. März 2021
- Englisch
- Abmessung: 234mm x 156mm x 11mm
- Gewicht: 286g
- ISBN-13: 9780367785956
- ISBN-10: 0367785951
- Artikelnr.: 61210899
Anastasia Belina is Assistant Head of Programmes at the Royal College of Music, and a Senior Research Fellow at the School of Music, University of Leeds. Kaarina Kilpiö (Doctor of Social Sciences) currently works as a University Lecturer at Sibelius Academy, University of the Arts, Helsinki. Derek B. Scott is Professor of Critical Musicology at the University of Leeds
Introduction Anastasia Belina, Kaarina Kilpiö and Derek B. Scott. Part 1
Music and Cosmopolitanism in the Nineteenth Century 1. Mark Everist
(University of Southampton), Cosmopolitanism and Music for the Theatre:
Europe and Beyond, 1800-1870. 2. Ingeborg Zechner (University of Salzburg),
Cosmopolitanism in Nineteenth-Century Opera Management. 3. David Brodbeck
(University of California, Irvine), Carl Goldmark and Cosmopolitan
Patriotism. 4. José Manuel Izquierdo (University of Cambridge), The
Cosmopolitan Muse: Searching for a Musical Style in
Early-Nineteenth-Century Latin America. Part 2 Music and Cosmopolitanism in
the Twentieth Century 5. Franco Fabbri (University of Turin), An 'intricate
fabric of influences and coincidences in the history of popular music':
Reflections on the Challenging Work of Popular Music Historians. 6. Björn
Heile (University of Glasgow), Mapping Musical Modernism.7. Anastasia
Belina (Royal College of Music, London), André Tchaikowsky (1935-1982): A
Cosmopolitan in a Closet. 8. Sarah Collins (University of New South Wales,
Australia): The Elision of Difference, Newness and Participation: Edward J.
Dent's Cosmopolitan Ethics of Opera Performance. Part 3 Music and Urban
Cosmopolitanism 9. Risto Pekka Pennanen (University of Tampere, Finland):
Tip, Trinkgeld, Baki: Cosmopolitan and Other Strategies of Touring Music
Groups before the Great War in Sarajevo. 10. Saijaleena Rantanen & Olli
Heikkinen (University of the Arts, Helsinki), Musicians as Cosmopolitan
Entrepreneurs: Orchestras in Finnish Cities before the Modern City
Orchestra Institution. 11. Yvonne Liao (King's College London), 'A Foreign
Cosmopolitanism': Treaty Port Shanghai, Ad Hoc Municipal Ensembles, and an
Epistemic Modality.
Music and Cosmopolitanism in the Nineteenth Century 1. Mark Everist
(University of Southampton), Cosmopolitanism and Music for the Theatre:
Europe and Beyond, 1800-1870. 2. Ingeborg Zechner (University of Salzburg),
Cosmopolitanism in Nineteenth-Century Opera Management. 3. David Brodbeck
(University of California, Irvine), Carl Goldmark and Cosmopolitan
Patriotism. 4. José Manuel Izquierdo (University of Cambridge), The
Cosmopolitan Muse: Searching for a Musical Style in
Early-Nineteenth-Century Latin America. Part 2 Music and Cosmopolitanism in
the Twentieth Century 5. Franco Fabbri (University of Turin), An 'intricate
fabric of influences and coincidences in the history of popular music':
Reflections on the Challenging Work of Popular Music Historians. 6. Björn
Heile (University of Glasgow), Mapping Musical Modernism.7. Anastasia
Belina (Royal College of Music, London), André Tchaikowsky (1935-1982): A
Cosmopolitan in a Closet. 8. Sarah Collins (University of New South Wales,
Australia): The Elision of Difference, Newness and Participation: Edward J.
Dent's Cosmopolitan Ethics of Opera Performance. Part 3 Music and Urban
Cosmopolitanism 9. Risto Pekka Pennanen (University of Tampere, Finland):
Tip, Trinkgeld, Baki: Cosmopolitan and Other Strategies of Touring Music
Groups before the Great War in Sarajevo. 10. Saijaleena Rantanen & Olli
Heikkinen (University of the Arts, Helsinki), Musicians as Cosmopolitan
Entrepreneurs: Orchestras in Finnish Cities before the Modern City
Orchestra Institution. 11. Yvonne Liao (King's College London), 'A Foreign
Cosmopolitanism': Treaty Port Shanghai, Ad Hoc Municipal Ensembles, and an
Epistemic Modality.
Introduction Anastasia Belina, Kaarina Kilpiö and Derek B. Scott. Part 1
Music and Cosmopolitanism in the Nineteenth Century 1. Mark Everist
(University of Southampton), Cosmopolitanism and Music for the Theatre:
Europe and Beyond, 1800-1870. 2. Ingeborg Zechner (University of Salzburg),
Cosmopolitanism in Nineteenth-Century Opera Management. 3. David Brodbeck
(University of California, Irvine), Carl Goldmark and Cosmopolitan
Patriotism. 4. José Manuel Izquierdo (University of Cambridge), The
Cosmopolitan Muse: Searching for a Musical Style in
Early-Nineteenth-Century Latin America. Part 2 Music and Cosmopolitanism in
the Twentieth Century 5. Franco Fabbri (University of Turin), An 'intricate
fabric of influences and coincidences in the history of popular music':
Reflections on the Challenging Work of Popular Music Historians. 6. Björn
Heile (University of Glasgow), Mapping Musical Modernism.7. Anastasia
Belina (Royal College of Music, London), André Tchaikowsky (1935-1982): A
Cosmopolitan in a Closet. 8. Sarah Collins (University of New South Wales,
Australia): The Elision of Difference, Newness and Participation: Edward J.
Dent's Cosmopolitan Ethics of Opera Performance. Part 3 Music and Urban
Cosmopolitanism 9. Risto Pekka Pennanen (University of Tampere, Finland):
Tip, Trinkgeld, Baki: Cosmopolitan and Other Strategies of Touring Music
Groups before the Great War in Sarajevo. 10. Saijaleena Rantanen & Olli
Heikkinen (University of the Arts, Helsinki), Musicians as Cosmopolitan
Entrepreneurs: Orchestras in Finnish Cities before the Modern City
Orchestra Institution. 11. Yvonne Liao (King's College London), 'A Foreign
Cosmopolitanism': Treaty Port Shanghai, Ad Hoc Municipal Ensembles, and an
Epistemic Modality.
Music and Cosmopolitanism in the Nineteenth Century 1. Mark Everist
(University of Southampton), Cosmopolitanism and Music for the Theatre:
Europe and Beyond, 1800-1870. 2. Ingeborg Zechner (University of Salzburg),
Cosmopolitanism in Nineteenth-Century Opera Management. 3. David Brodbeck
(University of California, Irvine), Carl Goldmark and Cosmopolitan
Patriotism. 4. José Manuel Izquierdo (University of Cambridge), The
Cosmopolitan Muse: Searching for a Musical Style in
Early-Nineteenth-Century Latin America. Part 2 Music and Cosmopolitanism in
the Twentieth Century 5. Franco Fabbri (University of Turin), An 'intricate
fabric of influences and coincidences in the history of popular music':
Reflections on the Challenging Work of Popular Music Historians. 6. Björn
Heile (University of Glasgow), Mapping Musical Modernism.7. Anastasia
Belina (Royal College of Music, London), André Tchaikowsky (1935-1982): A
Cosmopolitan in a Closet. 8. Sarah Collins (University of New South Wales,
Australia): The Elision of Difference, Newness and Participation: Edward J.
Dent's Cosmopolitan Ethics of Opera Performance. Part 3 Music and Urban
Cosmopolitanism 9. Risto Pekka Pennanen (University of Tampere, Finland):
Tip, Trinkgeld, Baki: Cosmopolitan and Other Strategies of Touring Music
Groups before the Great War in Sarajevo. 10. Saijaleena Rantanen & Olli
Heikkinen (University of the Arts, Helsinki), Musicians as Cosmopolitan
Entrepreneurs: Orchestras in Finnish Cities before the Modern City
Orchestra Institution. 11. Yvonne Liao (King's College London), 'A Foreign
Cosmopolitanism': Treaty Port Shanghai, Ad Hoc Municipal Ensembles, and an
Epistemic Modality.