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This special issue of SAQ on music--be it a film score, incidental music for a play, or music for pantomime or dance--discusses how cultural, social and political factors are integral components of music and not just outside forces that shape it
Table of contents:
Introduction / Bryan Gilliam
Seven Degrees of Separation: Music, Text, Image, and Gesture in The Seven Deadly Sins / Kim H. Kowalke
The ''Phenomenal Image'' in Opera / Linda Hutcheon and Michael Hutcheon
Zwischenreden für Zwischenakte: Egmont and the Melodramatic Supplement / Elizabeth Paley
Visual Pleasures-Musical Signs: Dance at the Paris Opéra / Annegret Fauser
Syvilla Fort's Africanist Modernism and John Cage's Gestic Music: The Story of Bacchanale / Tamara Levitz
''Look at that big hand move along'': Clocks, Containment, and Music in High Noon / Neil Lerner
Table of contents:
Introduction / Bryan Gilliam
Seven Degrees of Separation: Music, Text, Image, and Gesture in The Seven Deadly Sins / Kim H. Kowalke
The ''Phenomenal Image'' in Opera / Linda Hutcheon and Michael Hutcheon
Zwischenreden für Zwischenakte: Egmont and the Melodramatic Supplement / Elizabeth Paley
Visual Pleasures-Musical Signs: Dance at the Paris Opéra / Annegret Fauser
Syvilla Fort's Africanist Modernism and John Cage's Gestic Music: The Story of Bacchanale / Tamara Levitz
''Look at that big hand move along'': Clocks, Containment, and Music in High Noon / Neil Lerner