Andere Kunden interessierten sich auch für
![Schubert in the European Imagination, Volume 1]( "Schubert in the European Imagination, Volume 1")
Schubert in the European Imagination, Volume 1144,99 €![The Oxford Handbook of Sound and Imagination, Volume 1]( "The Oxford Handbook of Sound and Imagination, Volume 1")
The Oxford Handbook of Sound and Imagination, Volume 1229,99 €![Music, Sound, and Silence in Buffy the Vampire Slayer]( "Music, Sound, and Silence in Buffy the Vampire Slayer")
Music, Sound, and Silence in Buffy the Vampire Slayer190,99 €![Analytical Essays on Music by Women Composers: Concert Music, 1960-2000]( "Analytical Essays on Music by Women Composers: Concert Music, 1960-2000")
Analytical Essays on Music by Women Composers: Concert Music, 1960-2000135,99 €![The Oxford Handbook of Sound and Imagination, Volume 2]( "The Oxford Handbook of Sound and Imagination, Volume 2")
The Oxford Handbook of Sound and Imagination, Volume 2218,99 €![How Music Works]( "How Music Works")
How Music Works16,99 €![This Is Your Brain on Music]( "This Is Your Brain on Music")
This Is Your Brain on Music19,49 €
Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Nicholas Cook makes a clear distinction between the province of music theory and that of aesthetic criticism. In doing so he affirms the importance of the 'ordinary listener' in musical culture, and the validity of his or her experience of music.
Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This gap between image and the experience it models offers a source of compositional creativity; different musical cultures embody different ways of imagining sound as music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Cook here defines the difference between music theory and aesthetic criticism, and affirms the importance of the "ordinary listener" in musical culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This gap between image and the experience it models offers a source of compositional creativity; different musical cultures embody different ways of imagining sound as music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Cook here defines the difference between music theory and aesthetic criticism, and affirms the importance of the "ordinary listener" in musical culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.