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This book offers the first social history of music in undivided Punjab (1800-1947), unearthing new evidence to argue for the power of female performers and the primacy of classical music for a region conventionally understood as a centre of folk music alone.

Produktbeschreibung
This book offers the first social history of music in undivided Punjab (1800-1947), unearthing new evidence to argue for the power of female performers and the primacy of classical music for a region conventionally understood as a centre of folk music alone.
Autorenporträt
Radha Kapuria is Assistant Professor in South Asian History at Durham University. This book draws on her PhD work at King's College London, which was nominated for the 2019 Bayly Prize. Her work straddles history, cultural studies, ethnomusicology, and gender studies. As well as interest in the Partition, she is currently also a co-editor and collaborator on projects exploring the intersections of regional, sonic, and environmental histories of South Asia.