Music in Cyprus - Samson, Jim; Demetriou, Nicoletta
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This edited collection draws its authors from both sides of the island to give a rounded picture of musical culture from the beginning of the British colonial period until today. The authors consider: what is the role of different musics in defining national, regional, social and cultural identities in Cyprus; how do Cypriot alterities illuminate European projects of modernity; what has been the impact of westernization and modernization (and, conversely, of orientalization) on music in Cyprus? The book will be of interest to academics working in historical musicology, ethnomusicology, and the…mehr

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Produktbeschreibung
This edited collection draws its authors from both sides of the island to give a rounded picture of musical culture from the beginning of the British colonial period until today. The authors consider: what is the role of different musics in defining national, regional, social and cultural identities in Cyprus; how do Cypriot alterities illuminate European projects of modernity; what has been the impact of westernization and modernization (and, conversely, of orientalization) on music in Cyprus? The book will be of interest to academics working in historical musicology, ethnomusicology, and the history and anthropology of Cyprus and of the entire Greek-Anatolian region.
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Autorenporträt
Jim Samson is Emeritus Professor of Music at Royal Holloway, University of London, UK. He has published widely on the music of Chopin and Liszt, on analytical and aesthetic topics in nineteenth- and twentieth-century music, and on the cultural history of East Central and South Eastern Europe. Nicoletta Demetriou is Research Fellow in Ethnomusicology and Life Writing at Wolfson College, University of Oxford, UK. She has written on the impact of ideology on Greek-Cypriot traditional music discourse and practice, as well as on the history and historiography of traditional music in Cyprus.