David Wyn Jones
Music in Eighteenth-Century Britain
David Wyn Jones
Music in Eighteenth-Century Britain
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This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain.
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This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 336
- Erscheinungstermin: 29. Dezember 2000
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 644g
- ISBN-13: 9781840146882
- ISBN-10: 1840146885
- Artikelnr.: 57039250
- Verlag: Taylor & Francis
- Seitenzahl: 336
- Erscheinungstermin: 29. Dezember 2000
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 644g
- ISBN-13: 9781840146882
- ISBN-10: 1840146885
- Artikelnr.: 57039250
DavidWyn Jones
Contents: 18th-century English music: past
present
future
Peter Holman; Institutions and Networks: Italian comic opera at the King's Theatre in the 1760s: the role of the Buffi
Saskia Willaert; Freemasonry and musical life in London in the late 18th century
Simon McVeigh; The London Roman Catholic Embassy Chapels and their music in the 18th and early 19th centuries
Philip Olleson; Genre and Repertoire: Italian violoncellists and some violoncello solos published in 18th-century Britain
Lowell Lindgren; Murder most virtuous: the Judith oratorios of De Fesch
Smith and Arne
Eva Zöllner; A reappraisal of provincial church music
Sally Drage; Sources and Resources: Handel's 1735 (London) version of Athalia
Donald Burrows; The Mackworth Collection: a social and bibliographical resource
Sarah McCleave; The papers of C.I. Latrobe: new light on musicians
music and the Christian family in late 18th-century England
Rachel Cowgill; Individuals and Style: Maurice Greene's harpsichord music: sources and style
H. Diack Johnstone; Viotti's 'London' concertos (Nos. 20-29): progressive or retrospective? Robin Stowell; Index.
present
future
Peter Holman; Institutions and Networks: Italian comic opera at the King's Theatre in the 1760s: the role of the Buffi
Saskia Willaert; Freemasonry and musical life in London in the late 18th century
Simon McVeigh; The London Roman Catholic Embassy Chapels and their music in the 18th and early 19th centuries
Philip Olleson; Genre and Repertoire: Italian violoncellists and some violoncello solos published in 18th-century Britain
Lowell Lindgren; Murder most virtuous: the Judith oratorios of De Fesch
Smith and Arne
Eva Zöllner; A reappraisal of provincial church music
Sally Drage; Sources and Resources: Handel's 1735 (London) version of Athalia
Donald Burrows; The Mackworth Collection: a social and bibliographical resource
Sarah McCleave; The papers of C.I. Latrobe: new light on musicians
music and the Christian family in late 18th-century England
Rachel Cowgill; Individuals and Style: Maurice Greene's harpsichord music: sources and style
H. Diack Johnstone; Viotti's 'London' concertos (Nos. 20-29): progressive or retrospective? Robin Stowell; Index.
Contents: 18th-century English music: past
present
future
Peter Holman; Institutions and Networks: Italian comic opera at the King's Theatre in the 1760s: the role of the Buffi
Saskia Willaert; Freemasonry and musical life in London in the late 18th century
Simon McVeigh; The London Roman Catholic Embassy Chapels and their music in the 18th and early 19th centuries
Philip Olleson; Genre and Repertoire: Italian violoncellists and some violoncello solos published in 18th-century Britain
Lowell Lindgren; Murder most virtuous: the Judith oratorios of De Fesch
Smith and Arne
Eva Zöllner; A reappraisal of provincial church music
Sally Drage; Sources and Resources: Handel's 1735 (London) version of Athalia
Donald Burrows; The Mackworth Collection: a social and bibliographical resource
Sarah McCleave; The papers of C.I. Latrobe: new light on musicians
music and the Christian family in late 18th-century England
Rachel Cowgill; Individuals and Style: Maurice Greene's harpsichord music: sources and style
H. Diack Johnstone; Viotti's 'London' concertos (Nos. 20-29): progressive or retrospective? Robin Stowell; Index.
present
future
Peter Holman; Institutions and Networks: Italian comic opera at the King's Theatre in the 1760s: the role of the Buffi
Saskia Willaert; Freemasonry and musical life in London in the late 18th century
Simon McVeigh; The London Roman Catholic Embassy Chapels and their music in the 18th and early 19th centuries
Philip Olleson; Genre and Repertoire: Italian violoncellists and some violoncello solos published in 18th-century Britain
Lowell Lindgren; Murder most virtuous: the Judith oratorios of De Fesch
Smith and Arne
Eva Zöllner; A reappraisal of provincial church music
Sally Drage; Sources and Resources: Handel's 1735 (London) version of Athalia
Donald Burrows; The Mackworth Collection: a social and bibliographical resource
Sarah McCleave; The papers of C.I. Latrobe: new light on musicians
music and the Christian family in late 18th-century England
Rachel Cowgill; Individuals and Style: Maurice Greene's harpsichord music: sources and style
H. Diack Johnstone; Viotti's 'London' concertos (Nos. 20-29): progressive or retrospective? Robin Stowell; Index.