This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound
This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound
John Haines is Professor of Music History and Medieval Studies at the University of Toronto, Canada.
Inhaltsangabe
1. Introduction 2. The Bell 3. The Trumpet Fanfare and the Horn Call 4. Banquet and Court Music 5. The Singing Minstrel 6. Chant 7. The Riding Warrior 8. Conclusion Bibliography Appendix 1: List of Films in Alphabetical Order Appendix 2: List of Films in Chronological Order Bibliography Index
1. Introduction 2. The Bell 3. The Trumpet Fanfare and the Horn Call 4. Banquet and Court Music 5. The Singing Minstrel 6. Chant 7. The Riding Warrior 8. Conclusion Bibliography Appendix 1: List of Films in Alphabetical Order Appendix 2: List of Films in Chronological Order Bibliography Index
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