Music in Germany since 1968 - Williams, Alastair
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Alastair Williams provides the first English-language overview of Helmut Lachenmann and Wolfgang Rihm, and considers established figures such as Henze, Kagel and Stockhausen. The book goes on to reveal the impact of the 1968 social movements on music, assesses the renewal of tradition, and addresses the significance of German reunification.

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Produktbeschreibung
Alastair Williams provides the first English-language overview of Helmut Lachenmann and Wolfgang Rihm, and considers established figures such as Henze, Kagel and Stockhausen. The book goes on to reveal the impact of the 1968 social movements on music, assesses the renewal of tradition, and addresses the significance of German reunification.
Autorenporträt
Alastair Williams is Reader in Music at Keele University. He is the author of New Music and the Claims of Modernity (1997) and Constructing Musicology (2001); and a contributor to The Cambridge Companion to John Cage (2002) and The Cambridge History of Twentieth-Century Music (2004). He has also published articles in a wide range of music journals, including Music and Letters, Music Analysis and twentieth-century music.