Taylor questions the widely held belief that the turn of the nineteenth century marked a 'dark age' of musical performance.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ian Taylor is Assistant Director of Music at Downe House School. His work has appeared in Nineteenth-Century Music Review, Brio, and Handbooks for Studies in Eighteenth-Century English Music.
Inhaltsangabe
Introduction: 'A period of orchestral starvation'? Perceptions of London concert life, 1795-1813 1. The makings of a myth: from Haydn to the Philharmonic 2. The 'rage' for music: West End concert culture and patterns of social change 3. Continuity and disruption in London concert programming, 1795-1813 4. Institutional continuity in London concert life, 1795-1813 5. Musical life outside the West End 6. Public music in private spheres: domestic music in London, 1795-1813 7. 'A period of orchestral starvation'? Bibliography.
Introduction: 'A period of orchestral starvation'? Perceptions of London concert life, 1795-1813 1. The makings of a myth: from Haydn to the Philharmonic 2. The 'rage' for music: West End concert culture and patterns of social change 3. Continuity and disruption in London concert programming, 1795-1813 4. Institutional continuity in London concert life, 1795-1813 5. Musical life outside the West End 6. Public music in private spheres: domestic music in London, 1795-1813 7. 'A period of orchestral starvation'? Bibliography.
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