This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music.
This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Part I. Church Patronage of Music in Fifteenth-century Europe; 1 Obligation, agency and laissez-faire: the promotion of polyphonic composition for the Church in fifteenth-century England Roger Bowers; 2. Church patronage of music in fifteenth-century Italy Giulio Cattin; 3. Antoine Brumel and patronage in Paris Craig Wright; Part II. Sixteenth-century Instrumental Music; 4. Notes (and transposing notes) on the viol in the early sixteenth century Howard Mayer Brown; 5. Songs without words by Josquin and his contemporaries Warwick Edwards; 6. Instrumental music, songs and verse from sixteenth-century Winchester: British Library Additional MS 60577 Iain Fenlon; 7. On Italian instrumental ensemble music in the late fifteenth century Louise Litterick; 8. Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish chanson, O waerde mont H. Colin Slim; Part III. Music and Patronage in Italy 1450-1550: 9. The early madrigal: a re-appraisal of its sources and its character James Haar; 10. Music at the Venetian Scuole Grandi, 1440-1540 Jonathan Glixon; 11. Antonio Gardane's early connections with the Willaert circle Mary S. Lewis; 12. Strategies of music patronage in the fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood; Part IV. Stemmatics and Music Sources: 13. Conflicting attributions in Italian sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress report on a new hypothesis Allan W. Atlas; 14. Some criteria for establishing relationships between sources of late-medieval polyphony Margaret Bent; 15. Limitations and extensions of filiation technique Stanley Boorman; 16. The transmission of medieval chant Alejandro Enrique Planchart; 17. The problem of chronology in the transmission of organum duplum Edward H. Roesner.
Part I. Church Patronage of Music in Fifteenth-century Europe; 1 Obligation, agency and laissez-faire: the promotion of polyphonic composition for the Church in fifteenth-century England Roger Bowers; 2. Church patronage of music in fifteenth-century Italy Giulio Cattin; 3. Antoine Brumel and patronage in Paris Craig Wright; Part II. Sixteenth-century Instrumental Music; 4. Notes (and transposing notes) on the viol in the early sixteenth century Howard Mayer Brown; 5. Songs without words by Josquin and his contemporaries Warwick Edwards; 6. Instrumental music, songs and verse from sixteenth-century Winchester: British Library Additional MS 60577 Iain Fenlon; 7. On Italian instrumental ensemble music in the late fifteenth century Louise Litterick; 8. Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish chanson, O waerde mont H. Colin Slim; Part III. Music and Patronage in Italy 1450-1550: 9. The early madrigal: a re-appraisal of its sources and its character James Haar; 10. Music at the Venetian Scuole Grandi, 1440-1540 Jonathan Glixon; 11. Antonio Gardane's early connections with the Willaert circle Mary S. Lewis; 12. Strategies of music patronage in the fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood; Part IV. Stemmatics and Music Sources: 13. Conflicting attributions in Italian sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress report on a new hypothesis Allan W. Atlas; 14. Some criteria for establishing relationships between sources of late-medieval polyphony Margaret Bent; 15. Limitations and extensions of filiation technique Stanley Boorman; 16. The transmission of medieval chant Alejandro Enrique Planchart; 17. The problem of chronology in the transmission of organum duplum Edward H. Roesner.
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