Music in Medieval and Early Modern Europe
Patronage, Sources and Texts
Herausgeber: Fenlon, Iain
Music in Medieval and Early Modern Europe
Patronage, Sources and Texts
Herausgeber: Fenlon, Iain
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This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music.
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This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 424
- Erscheinungstermin: 30. November 2008
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 685g
- ISBN-13: 9780521107389
- ISBN-10: 0521107385
- Artikelnr.: 25933353
- Verlag: Cambridge University Press
- Seitenzahl: 424
- Erscheinungstermin: 30. November 2008
- Englisch
- Abmessung: 229mm x 152mm x 25mm
- Gewicht: 685g
- ISBN-13: 9780521107389
- ISBN-10: 0521107385
- Artikelnr.: 25933353
Part I. Church Patronage of Music in Fifteenth-century Europe; 1
Obligation, agency and laissez-faire: the promotion of polyphonic
composition for the Church in fifteenth-century England Roger Bowers; 2.
Church patronage of music in fifteenth-century Italy Giulio Cattin; 3.
Antoine Brumel and patronage in Paris Craig Wright; Part II.
Sixteenth-century Instrumental Music; 4. Notes (and transposing notes) on
the viol in the early sixteenth century Howard Mayer Brown; 5. Songs
without words by Josquin and his contemporaries Warwick Edwards; 6.
Instrumental music, songs and verse from sixteenth-century Winchester:
British Library Additional MS 60577 Iain Fenlon; 7. On Italian instrumental
ensemble music in the late fifteenth century Louise Litterick; 8.
Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish
chanson, O waerde mont H. Colin Slim; Part III. Music and Patronage in
Italy 1450-1550: 9. The early madrigal: a re-appraisal of its sources and
its character James Haar; 10. Music at the Venetian Scuole Grandi,
1440-1540 Jonathan Glixon; 11. Antonio Gardane's early connections with the
Willaert circle Mary S. Lewis; 12. Strategies of music patronage in the
fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood; Part IV.
Stemmatics and Music Sources: 13. Conflicting attributions in Italian
sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress
report on a new hypothesis Allan W. Atlas; 14. Some criteria for
establishing relationships between sources of late-medieval polyphony
Margaret Bent; 15. Limitations and extensions of filiation technique
Stanley Boorman; 16. The transmission of medieval chant Alejandro Enrique
Planchart; 17. The problem of chronology in the transmission of organum
duplum Edward H. Roesner.
Obligation, agency and laissez-faire: the promotion of polyphonic
composition for the Church in fifteenth-century England Roger Bowers; 2.
Church patronage of music in fifteenth-century Italy Giulio Cattin; 3.
Antoine Brumel and patronage in Paris Craig Wright; Part II.
Sixteenth-century Instrumental Music; 4. Notes (and transposing notes) on
the viol in the early sixteenth century Howard Mayer Brown; 5. Songs
without words by Josquin and his contemporaries Warwick Edwards; 6.
Instrumental music, songs and verse from sixteenth-century Winchester:
British Library Additional MS 60577 Iain Fenlon; 7. On Italian instrumental
ensemble music in the late fifteenth century Louise Litterick; 8.
Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish
chanson, O waerde mont H. Colin Slim; Part III. Music and Patronage in
Italy 1450-1550: 9. The early madrigal: a re-appraisal of its sources and
its character James Haar; 10. Music at the Venetian Scuole Grandi,
1440-1540 Jonathan Glixon; 11. Antonio Gardane's early connections with the
Willaert circle Mary S. Lewis; 12. Strategies of music patronage in the
fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood; Part IV.
Stemmatics and Music Sources: 13. Conflicting attributions in Italian
sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress
report on a new hypothesis Allan W. Atlas; 14. Some criteria for
establishing relationships between sources of late-medieval polyphony
Margaret Bent; 15. Limitations and extensions of filiation technique
Stanley Boorman; 16. The transmission of medieval chant Alejandro Enrique
Planchart; 17. The problem of chronology in the transmission of organum
duplum Edward H. Roesner.
Part I. Church Patronage of Music in Fifteenth-century Europe; 1
Obligation, agency and laissez-faire: the promotion of polyphonic
composition for the Church in fifteenth-century England Roger Bowers; 2.
Church patronage of music in fifteenth-century Italy Giulio Cattin; 3.
Antoine Brumel and patronage in Paris Craig Wright; Part II.
Sixteenth-century Instrumental Music; 4. Notes (and transposing notes) on
the viol in the early sixteenth century Howard Mayer Brown; 5. Songs
without words by Josquin and his contemporaries Warwick Edwards; 6.
Instrumental music, songs and verse from sixteenth-century Winchester:
British Library Additional MS 60577 Iain Fenlon; 7. On Italian instrumental
ensemble music in the late fifteenth century Louise Litterick; 8.
Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish
chanson, O waerde mont H. Colin Slim; Part III. Music and Patronage in
Italy 1450-1550: 9. The early madrigal: a re-appraisal of its sources and
its character James Haar; 10. Music at the Venetian Scuole Grandi,
1440-1540 Jonathan Glixon; 11. Antonio Gardane's early connections with the
Willaert circle Mary S. Lewis; 12. Strategies of music patronage in the
fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood; Part IV.
Stemmatics and Music Sources: 13. Conflicting attributions in Italian
sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress
report on a new hypothesis Allan W. Atlas; 14. Some criteria for
establishing relationships between sources of late-medieval polyphony
Margaret Bent; 15. Limitations and extensions of filiation technique
Stanley Boorman; 16. The transmission of medieval chant Alejandro Enrique
Planchart; 17. The problem of chronology in the transmission of organum
duplum Edward H. Roesner.
Obligation, agency and laissez-faire: the promotion of polyphonic
composition for the Church in fifteenth-century England Roger Bowers; 2.
Church patronage of music in fifteenth-century Italy Giulio Cattin; 3.
Antoine Brumel and patronage in Paris Craig Wright; Part II.
Sixteenth-century Instrumental Music; 4. Notes (and transposing notes) on
the viol in the early sixteenth century Howard Mayer Brown; 5. Songs
without words by Josquin and his contemporaries Warwick Edwards; 6.
Instrumental music, songs and verse from sixteenth-century Winchester:
British Library Additional MS 60577 Iain Fenlon; 7. On Italian instrumental
ensemble music in the late fifteenth century Louise Litterick; 8.
Instrumental versions, c. 1515-1544, of a late-fifteenth-century Flemish
chanson, O waerde mont H. Colin Slim; Part III. Music and Patronage in
Italy 1450-1550: 9. The early madrigal: a re-appraisal of its sources and
its character James Haar; 10. Music at the Venetian Scuole Grandi,
1440-1540 Jonathan Glixon; 11. Antonio Gardane's early connections with the
Willaert circle Mary S. Lewis; 12. Strategies of music patronage in the
fifteenth century: the cappella of Ercole I d'Este Lewis Lockwood; Part IV.
Stemmatics and Music Sources: 13. Conflicting attributions in Italian
sources of the Franco-Netherlandish chanson, c. 1465 - c. 1505: a progress
report on a new hypothesis Allan W. Atlas; 14. Some criteria for
establishing relationships between sources of late-medieval polyphony
Margaret Bent; 15. Limitations and extensions of filiation technique
Stanley Boorman; 16. The transmission of medieval chant Alejandro Enrique
Planchart; 17. The problem of chronology in the transmission of organum
duplum Edward H. Roesner.