Music in Nineteenth-Century Britain

Herausgeber: Golding, Rosemary

• Gebundenes Buch

Produktbeschreibung

This volume of primary source material examines music and British national identity during the ninteenth century. Sources explore the reception of British music, continental and other foreign music, English, Scottish, Welsh and Irish music, and Empire. This collection will be of great value to students and scholars.

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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 446
• Erscheinungstermin: 15. August 2022
• Englisch
• Abmessung: 234mm x 156mm x 25mm
• Gewicht: 812g
• ISBN-13: 9780367435363
• ISBN-10: 0367435365
• Artikelnr.: 69938812

Autorenporträt

Dr Rosemary Golding, Open University, UK

Inhaltsangabe

Volume 4: Music and British Identity Introduction - volume 4 Part 1. Reputation and Reception of British Music 1. Anon.
'On the State of Music in Scotland' in Blackwood's Edinburgh Magazine vol. 3 no. 15 (June 1818)
pp. 265-270 2. George Hogarth [D.A.B.]
'On the State of Music in Edinburgh' in Blackwood's Edinburgh Magazine vol. 3 no. 17 (August 1818)
pp. 538-542 3. Anon.
'Considerations on the Character of the English
as a Musical People; Letter to the Editor from Juvenis'
in Quarterly Musical Magazine and Review vol. 4 no. 13 (1822)
pp. 134-137 4. H. R. Haweis
'Music in England'
in Music and Morals (London: Strahan & Co.
1871)
pp. 491-505 5. F. Davenport
'Music in England' in The Saint Pauls Magazine vol. 13 (September 1873)
pp. 275-284 6. Frederick J. Crowest
'Our Musical Progress'
in Phases of Musical England (1881)
pp. 288-310 7. Alexander Mackenzie
'The Aspects and Prospects of Music in England' in The Quarterly Musical Review vol. 3 no. 9 (February 1887)
pp. 38-50 8. Arthur Sullivan
'About Music' (1888) reprinted in Arthur Lawrence
Sir Arthur Sullivan: Life
Story
Letters and Reminiscences (London: J. Bowden 1899)
pp. 261-287 9. J. A. Fuller Maitland
'The Transition'
in English Music in the XIXth Century (London: Grant Richards
1902)
pp. 123-139 10. W. Johnson Galloway
M.P.
The Operatic Problem (London: John Long
1902)
pp. 7-18 11. Arthur Johnstone
'Music in the 19th Century'
in Musical Criticisms (Manchester: Manchester University Press
1905)
pp. 182-200 Part 2. Compositional Schools and National Music 12. Richard Mackenzie Bacon ['Timotheus']
'Formation of an English School' in The Quarterly Musical Magazine and Review vol. 1 no. 1 (1818)
pp. 36-45 13. John Parry
'Welsh Music No. I' in The Cambro-Briton vol. 1 no. 1 (September 1819)
pp. 13-14 and 'Welsh Music No. II' in The Cambro-Briton vol. 1 no. 2 (October 1819)
pp. 52-54 14. Richard Edgcumbe
'Observations on English Music'
Musical Reminiscences
containing an account of the Italian Opera in England
from 1773 to 1823 2nd edition (London: W. Clarke
1827)
pp. 142-145 15. Anon.
'The Music of Ireland
Wales and Scotland'
in Music in England
Ireland
Wales
and Scotland from the earliest ages to the present time (London: Cradock and Co.
1845)
pp. 21-26 16. Henry C. Lunn
'A Few Thoughts on the Schools of Music'
Musings of a Musician: a series of popular sketches
illustrative of musical matters and musical people 2nd edition (London: Simpkin
Marshall & Co.
1846)
pp. 1-5 17. G. A. Macfarren
'The National Music of Our Native Land'
The Musical Times and Singing Class Circular vol. 14 no. 329 (1 July 1870)
pp. 519-522 and 'The National Music of Our Native Land (Concluded)'
The Musical Times and Singing Class Circular vol. 14 no. 330 (1 August 1870)
pp. 551-555 18. W. Barry
'The Current Street Ballads of Ireland' in Macmillan's Magazine vol. 25 no. 147 (January 1872)
pp. 190-199. 19. Henry Brinley Richards
'Preface'
in The Songs of Wales (Caneuon Cymru) 4th edn (London: Boosey
1879)
pp. 1-3 20. J.S. Blackie
'Songs
Popular
of the Scottish Highlanders' in Macmillan's Magazine vol. 52 (1885)
pp. 304-313 21. Frederick J. Crowest
'Wanted! An English Musical Style' in The National Review vol. 9 no. 50 (April 1887)
pp. 208-213. 22. Anon.
'Dr Parry and the English School' in The Musical Herald (1 November 1892)
pp. 323-326 23. Annie W. Patterson
'The Characteristic Traits of Irish Music' in Proceedings of the Musical Association
23rd Sess. (1896-1897)
pp. 91-111 Part 3. Europe
Empire and Beyond 24. W. Ouseley
'Anecdotes of Indian Music'
in The Belfast Monthly Magazine vol. 2 no. 6 (31 January 1809)
pp. 6-7 25. Richard Mackenzie Bacon
'Sketch on the State of Music in London' in The Quarterly Musical Magazine and Review vol. 4 no. 14 (1822)
pp. 237-241 26. Anon.
'Foreign Institutions and English Judgment' in The Quarterly Musical Magazine and Review vol. 8 no. 32 (1826)
pp. 405-416 27. Richard Edgcumbe
Musical Reminiscences
containing an account of the Italian Opera in England
from 1773 fourth edition (London: John Andrews
1834)
pp. 201-221 28. Henry Fothergill Chorley
'The Brunswick Festival: The Oratorio - the Ball'
Music and Manners in France and Germany vol. 1 (London: Longman
Orme
Brown
Green
and Longmans
1841)
pp. 254-271 29. Anon.
'German Music' in The Musical Times and Singing Class Circular vol. 8 no. 185 (1 July 1858)
pp. 268-270
275 30. Carl Engel
'Introduction'
(extract) in An Introduction to the Study of National Music; Comprising Researches into Popular Songs
Traditions
and Customs (London: Longmans
Green
Reader
and Dyer
1866)
pp. 1-13 31. Joseph Kaines
'On Some of the Racial Aspects of Music' in The Journal of the Anthropological Institute of Great Britain and Ireland vol. 1 (1872)
pp. xxviii-xxxvi 32. T. F. W.
'A Pilgrimage to the Shrine of Wagner' in The Irish Monthly
vol. 16
no. 184 (1888)
pp. 581-591. 33. C. Hubert H. Parry
'Modern Phases of Opera'
The Art of Music (London: Kegan Paul
Trench
Trübner
1893)
pp. 335-353 34. R. Etheridge
Jr.
'An Australian Aboriginal Musical Instrument' in The Journal of the Anthropological Institute of Great Britain and Ireland vol. 23 (1894)
pp. 320-324 35. Ernest Newman
'A Psychological Preliminary'
A Study of Wagner (1899)
pp. 1-15 36. Sarah A. Tooley
'A Chat with Madame Albani' in The Lady's Realm
an Illustrated Monthly Magazine vol. 5 (November 1898-April 1899) pp. 463-467 Part 4 The Musical Past 37. A Subscriber
'The Ancient Music of Ireland Adapted to the Piano Forte' in The Belfast Monthly Magazine vol. 2 no. 8 (31 March 1809)
pp. 191-193 38. Anon.
'History of Music' in The Mirror of Literature
Amusement
and Instruction vol. 6 no. 152
158 and no. 170 (23 July
3 September and 26 November 1825)
pp. 70-71
162-164 and 356-359 39. Anon.
'Ancient Scottish Music - The Skene MS' in Blackwood's Edinburgh Magazine vol. 45 no. 279 (January 1839)
pp. 1-16 40. Edward Bunting
The Ancient Music of Ireland
arranged for the Pianoforte (Dublin: Hodges and Smith
1840)
Preface pp. 1-11 41. William Chappell Popular Music of the Olden Time (2 vols. London: Cramer
Beale & Chappell
1858-9)
vol. 1
Introduction pp. v-xii 42. Joseph Bennett
'The Influence of Handel on Music in England' in The Musical Times and Singing Class Circular vol. 18 no. 413 (1 July 1877)
pp. 321-324 43. Frederick J. Crowest
'Purcell and the Making of Musical England' in Blackwood's Edinburgh Magazine vol. 158 no. 962 (December 1895)
pp. 819-835 44. Anon.
'Purcell' in Monthly Musical Record vol. 25 no. 300 (1 December 1895)
pp. 265-266 45. James E. Matthew
'The Literature of Ancient Music' and 'The Mediaeval Writers on Music'
The Literature of Music (London: Eliot Stock
1896)
pp. 1-20. Index