Introduction Kirsten Gibson and Stephanie Carter and Roz Southey 'All Mynstralles betwene the Ryvers of Trent & Twede...yerely resorte vnto this towne and Borough of Beverley': Examining the Evidence for Beverley as the Late Medieval and Early Modern Centre for Professional Musicians in the North East Diana Wyatt Recovering the Soundscape of pre Reformation Newcastle upon Tyne Magnus Williamson The Selection, Acquisition and Performance of Handel's English Odes and Oratorios in Mid Eighteenth Century Durham Matthew Gardner Compositional Activity in Durham City 1750 1810: Its Influences and Impact Simon D. I. Fleming 'I esteem my lot fortunate, in residing in this happy country': Edward Miller, Social Networking and Music Making in Eighteenth Century Doncaster Christopher Roberts The York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century Eleanor Warren Tunes for Violin or Recorder Collected in North East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB Lbl Add. MA 17853) Andrew Woolley From Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills's The Cashaway Psalmody (1770) Stephen A. Marini Schoolboy Performance in the post Reformation North East Amanda Eubanks Winkler Amateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s Stephanie Carter Kirsten Gibson The Household Band of the Bowes of Gibside, County Durham, 1722 1760: Configuration, Repertoire, Training and Use Roz Southey William Shield's A Collection of Favourite Songs (c .1775) Amélie Addison Between the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth Century Newcastle upon Tyne Barbara Crosbie 'Canny Newcassel': Marshall's Musical Metropolis of North Britain Oskar Cox Jensen
Introduction Kirsten Gibson and Stephanie Carter and Roz Southey 'All Mynstralles betwene the Ryvers of Trent & Twede...yerely resorte vnto this towne and Borough of Beverley': Examining the Evidence for Beverley as the Late Medieval and Early Modern Centre for Professional Musicians in the North East Diana Wyatt Recovering the Soundscape of pre Reformation Newcastle upon Tyne Magnus Williamson The Selection, Acquisition and Performance of Handel's English Odes and Oratorios in Mid Eighteenth Century Durham Matthew Gardner Compositional Activity in Durham City 1750 1810: Its Influences and Impact Simon D. I. Fleming 'I esteem my lot fortunate, in residing in this happy country': Edward Miller, Social Networking and Music Making in Eighteenth Century Doncaster Christopher Roberts The York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century Eleanor Warren Tunes for Violin or Recorder Collected in North East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB Lbl Add. MA 17853) Andrew Woolley From Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills's The Cashaway Psalmody (1770) Stephen A. Marini Schoolboy Performance in the post Reformation North East Amanda Eubanks Winkler Amateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s Stephanie Carter Kirsten Gibson The Household Band of the Bowes of Gibside, County Durham, 1722 1760: Configuration, Repertoire, Training and Use Roz Southey William Shield's A Collection of Favourite Songs (c .1775) Amélie Addison Between the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth Century Newcastle upon Tyne Barbara Crosbie 'Canny Newcassel': Marshall's Musical Metropolis of North Britain Oskar Cox Jensen
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