Music in North-East England, 1500-1800
Herausgeber: Carter, Stephanie; Southey, Roz; Gibson, Kirsten
Music in North-East England, 1500-1800
Herausgeber: Carter, Stephanie; Southey, Roz; Gibson, Kirsten
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This collection situates the North-East within a developing nationwide account of British musical culture.
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This collection situates the North-East within a developing nationwide account of British musical culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 342
- Erscheinungstermin: 16. Oktober 2020
- Englisch
- Abmessung: 234mm x 156mm x 21mm
- Gewicht: 658g
- ISBN-13: 9781783275410
- ISBN-10: 1783275413
- Artikelnr.: 58771917
- Verlag: Boydell & Brewer
- Seitenzahl: 342
- Erscheinungstermin: 16. Oktober 2020
- Englisch
- Abmessung: 234mm x 156mm x 21mm
- Gewicht: 658g
- ISBN-13: 9781783275410
- ISBN-10: 1783275413
- Artikelnr.: 58771917
Stephanie Carter, Kirsten Gibson, Roz Southey
Introduction
Kirsten Gibson and Stephanie Carter and Roz Southey 'All Mynstralles betwene the Ryvers of Trent & Twede...yerely resorte vnto this towne and Borough of Beverley': Examining the Evidence for Beverley as the Late
Medieval and Early Modern Centre for Professional Musicians in the North
East
Diana Wyatt Recovering the Soundscape of pre
Reformation Newcastle upon Tyne
Magnus Williamson The Selection, Acquisition and Performance of Handel's English Odes and Oratorios in Mid
Eighteenth
Century Durham
Matthew Gardner Compositional Activity in Durham City 1750
1810: Its Influences and Impact
Simon D. I. Fleming 'I esteem my lot fortunate, in residing in this happy country': Edward Miller, Social Networking and Music Making in Eighteenth
Century Doncaster
Christopher Roberts The York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century
Eleanor Warren Tunes for Violin or Recorder Collected in North
East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB
Lbl Add. MA 17853)
Andrew Woolley From Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills's The Cashaway Psalmody (1770)
Stephen A. Marini Schoolboy Performance in the post
Reformation North
East
Amanda Eubanks Winkler Amateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s
Stephanie Carter
Kirsten Gibson The Household Band of the Bowes of Gibside, County Durham, 1722
1760: Configuration, Repertoire, Training and Use
Roz Southey William Shield's A Collection of Favourite Songs (c .1775)
Amélie Addison Between the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth
Century Newcastle upon Tyne
Barbara Crosbie 'Canny Newcassel': Marshall's Musical Metropolis of North Britain
Oskar Cox Jensen
Kirsten Gibson and Stephanie Carter and Roz Southey 'All Mynstralles betwene the Ryvers of Trent & Twede...yerely resorte vnto this towne and Borough of Beverley': Examining the Evidence for Beverley as the Late
Medieval and Early Modern Centre for Professional Musicians in the North
East
Diana Wyatt Recovering the Soundscape of pre
Reformation Newcastle upon Tyne
Magnus Williamson The Selection, Acquisition and Performance of Handel's English Odes and Oratorios in Mid
Eighteenth
Century Durham
Matthew Gardner Compositional Activity in Durham City 1750
1810: Its Influences and Impact
Simon D. I. Fleming 'I esteem my lot fortunate, in residing in this happy country': Edward Miller, Social Networking and Music Making in Eighteenth
Century Doncaster
Christopher Roberts The York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century
Eleanor Warren Tunes for Violin or Recorder Collected in North
East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB
Lbl Add. MA 17853)
Andrew Woolley From Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills's The Cashaway Psalmody (1770)
Stephen A. Marini Schoolboy Performance in the post
Reformation North
East
Amanda Eubanks Winkler Amateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s
Stephanie Carter
Kirsten Gibson The Household Band of the Bowes of Gibside, County Durham, 1722
1760: Configuration, Repertoire, Training and Use
Roz Southey William Shield's A Collection of Favourite Songs (c .1775)
Amélie Addison Between the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth
Century Newcastle upon Tyne
Barbara Crosbie 'Canny Newcassel': Marshall's Musical Metropolis of North Britain
Oskar Cox Jensen
Introduction
Kirsten Gibson and Stephanie Carter and Roz Southey 'All Mynstralles betwene the Ryvers of Trent & Twede...yerely resorte vnto this towne and Borough of Beverley': Examining the Evidence for Beverley as the Late
Medieval and Early Modern Centre for Professional Musicians in the North
East
Diana Wyatt Recovering the Soundscape of pre
Reformation Newcastle upon Tyne
Magnus Williamson The Selection, Acquisition and Performance of Handel's English Odes and Oratorios in Mid
Eighteenth
Century Durham
Matthew Gardner Compositional Activity in Durham City 1750
1810: Its Influences and Impact
Simon D. I. Fleming 'I esteem my lot fortunate, in residing in this happy country': Edward Miller, Social Networking and Music Making in Eighteenth
Century Doncaster
Christopher Roberts The York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century
Eleanor Warren Tunes for Violin or Recorder Collected in North
East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB
Lbl Add. MA 17853)
Andrew Woolley From Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills's The Cashaway Psalmody (1770)
Stephen A. Marini Schoolboy Performance in the post
Reformation North
East
Amanda Eubanks Winkler Amateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s
Stephanie Carter
Kirsten Gibson The Household Band of the Bowes of Gibside, County Durham, 1722
1760: Configuration, Repertoire, Training and Use
Roz Southey William Shield's A Collection of Favourite Songs (c .1775)
Amélie Addison Between the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth
Century Newcastle upon Tyne
Barbara Crosbie 'Canny Newcassel': Marshall's Musical Metropolis of North Britain
Oskar Cox Jensen
Kirsten Gibson and Stephanie Carter and Roz Southey 'All Mynstralles betwene the Ryvers of Trent & Twede...yerely resorte vnto this towne and Borough of Beverley': Examining the Evidence for Beverley as the Late
Medieval and Early Modern Centre for Professional Musicians in the North
East
Diana Wyatt Recovering the Soundscape of pre
Reformation Newcastle upon Tyne
Magnus Williamson The Selection, Acquisition and Performance of Handel's English Odes and Oratorios in Mid
Eighteenth
Century Durham
Matthew Gardner Compositional Activity in Durham City 1750
1810: Its Influences and Impact
Simon D. I. Fleming 'I esteem my lot fortunate, in residing in this happy country': Edward Miller, Social Networking and Music Making in Eighteenth
Century Doncaster
Christopher Roberts The York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century
Eleanor Warren Tunes for Violin or Recorder Collected in North
East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB
Lbl Add. MA 17853)
Andrew Woolley From Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills's The Cashaway Psalmody (1770)
Stephen A. Marini Schoolboy Performance in the post
Reformation North
East
Amanda Eubanks Winkler Amateur Music Making Amongst the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s
Stephanie Carter
Kirsten Gibson The Household Band of the Bowes of Gibside, County Durham, 1722
1760: Configuration, Repertoire, Training and Use
Roz Southey William Shield's A Collection of Favourite Songs (c .1775)
Amélie Addison Between the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth
Century Newcastle upon Tyne
Barbara Crosbie 'Canny Newcassel': Marshall's Musical Metropolis of North Britain
Oskar Cox Jensen