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Music in Range sheds light on a radio sector that is an integral component of Canada's musical and cultural fabric and positions campus radio as a site of attention at a time when connectivity and sharing between musicians, music fans, and cultural intermediaries are increasingly shaping our experience of music, radio, and sound.
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Music in Range sheds light on a radio sector that is an integral component of Canada's musical and cultural fabric and positions campus radio as a site of attention at a time when connectivity and sharing between musicians, music fans, and cultural intermediaries are increasingly shaping our experience of music, radio, and sound.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Wilfrid Laurier University Press
- Seitenzahl: 230
- Erscheinungstermin: 2. November 2015
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 328g
- ISBN-13: 9781771121507
- ISBN-10: 1771121505
- Artikelnr.: 42053718
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Wilfrid Laurier University Press
- Seitenzahl: 230
- Erscheinungstermin: 2. November 2015
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 328g
- ISBN-13: 9781771121507
- ISBN-10: 1771121505
- Artikelnr.: 42053718
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Brian Fauteux is Assistant Professor of Popular Music and Media Studies at the University of Alberta. He has recently published on radio, music, and sound in Popular Music and Society, IASPM@Journal, and Interactions: Studies in Communication and Culture. He is a co-founder of the Cultural Capital project.
Table of Contents for Music in Range: The Culture of Canadian Campus Radio
by Brian Fauteux
Chapter 1: Introduction
Chapter 2: "Alternative" Radio
Commercial Radio Policy in Canada
Discourses of "Alternative"
A Local Alternative
Chapter 3: The Canadian Campus Radio Sector Takes Shape
Social Responsibility and Cultural Hierarchies in the Development of Campus
Radio
Community Media and its Response to the Rise of Private Broadcasting
Canadian Community Radio in the 1970s
Regulating the Campus Radio Sector
Chapter 4: From Campus Borders to Communities: Campus Radio in Three
Canadian Localities
Pre-FM Radio Broadcasting at Three Canadian Universities
Canadian Campus Radio and Community Representation on the FM Dial
Mandates and Philosophies
Locality and Diversity in the Program Grid
Chapter 5: A Community-Based Mandate: Regulating the Campus Radio Sector in
2010
Non-Compliance at Ryerson University's CKLN-FM
The End of CKLN-FM: An Unprecedented Decision
Commercial "Indie" Radio Takes Over
Campus and Community Radio Policy 2010
Chapter 6: Canadian Campus Radio and Local Musical Activity
CHMA and Sackville: Music Festivals and an East Coast Cultural Hub
CKUW and Winnipeg: Isolation and Collaboration in Music Production and
Mythmaking
CiTR and Vancouver: Cultural Institutions and Community in a Growing City
Campus Radio and Cultural Production: Stylus, Discorder, and Pop Alliance
Compilation: Vol. 2
Chapter 7: Campus Radio and Alternative Music Culture
Canadian Campus Radio and Policy-Making
Alternative Music Culture, Cultural Capital, and the Circulation of Local
Musici
The Future of the Canadian Campus Radio Sector
References
Appendices
Index
by Brian Fauteux
Chapter 1: Introduction
Chapter 2: "Alternative" Radio
Commercial Radio Policy in Canada
Discourses of "Alternative"
A Local Alternative
Chapter 3: The Canadian Campus Radio Sector Takes Shape
Social Responsibility and Cultural Hierarchies in the Development of Campus
Radio
Community Media and its Response to the Rise of Private Broadcasting
Canadian Community Radio in the 1970s
Regulating the Campus Radio Sector
Chapter 4: From Campus Borders to Communities: Campus Radio in Three
Canadian Localities
Pre-FM Radio Broadcasting at Three Canadian Universities
Canadian Campus Radio and Community Representation on the FM Dial
Mandates and Philosophies
Locality and Diversity in the Program Grid
Chapter 5: A Community-Based Mandate: Regulating the Campus Radio Sector in
2010
Non-Compliance at Ryerson University's CKLN-FM
The End of CKLN-FM: An Unprecedented Decision
Commercial "Indie" Radio Takes Over
Campus and Community Radio Policy 2010
Chapter 6: Canadian Campus Radio and Local Musical Activity
CHMA and Sackville: Music Festivals and an East Coast Cultural Hub
CKUW and Winnipeg: Isolation and Collaboration in Music Production and
Mythmaking
CiTR and Vancouver: Cultural Institutions and Community in a Growing City
Campus Radio and Cultural Production: Stylus, Discorder, and Pop Alliance
Compilation: Vol. 2
Chapter 7: Campus Radio and Alternative Music Culture
Canadian Campus Radio and Policy-Making
Alternative Music Culture, Cultural Capital, and the Circulation of Local
Musici
The Future of the Canadian Campus Radio Sector
References
Appendices
Index
Table of Contents for Music in Range: The Culture of Canadian Campus Radio
by Brian Fauteux
Chapter 1: Introduction
Chapter 2: "Alternative" Radio
Commercial Radio Policy in Canada
Discourses of "Alternative"
A Local Alternative
Chapter 3: The Canadian Campus Radio Sector Takes Shape
Social Responsibility and Cultural Hierarchies in the Development of Campus
Radio
Community Media and its Response to the Rise of Private Broadcasting
Canadian Community Radio in the 1970s
Regulating the Campus Radio Sector
Chapter 4: From Campus Borders to Communities: Campus Radio in Three
Canadian Localities
Pre-FM Radio Broadcasting at Three Canadian Universities
Canadian Campus Radio and Community Representation on the FM Dial
Mandates and Philosophies
Locality and Diversity in the Program Grid
Chapter 5: A Community-Based Mandate: Regulating the Campus Radio Sector in
2010
Non-Compliance at Ryerson University's CKLN-FM
The End of CKLN-FM: An Unprecedented Decision
Commercial "Indie" Radio Takes Over
Campus and Community Radio Policy 2010
Chapter 6: Canadian Campus Radio and Local Musical Activity
CHMA and Sackville: Music Festivals and an East Coast Cultural Hub
CKUW and Winnipeg: Isolation and Collaboration in Music Production and
Mythmaking
CiTR and Vancouver: Cultural Institutions and Community in a Growing City
Campus Radio and Cultural Production: Stylus, Discorder, and Pop Alliance
Compilation: Vol. 2
Chapter 7: Campus Radio and Alternative Music Culture
Canadian Campus Radio and Policy-Making
Alternative Music Culture, Cultural Capital, and the Circulation of Local
Musici
The Future of the Canadian Campus Radio Sector
References
Appendices
Index
by Brian Fauteux
Chapter 1: Introduction
Chapter 2: "Alternative" Radio
Commercial Radio Policy in Canada
Discourses of "Alternative"
A Local Alternative
Chapter 3: The Canadian Campus Radio Sector Takes Shape
Social Responsibility and Cultural Hierarchies in the Development of Campus
Radio
Community Media and its Response to the Rise of Private Broadcasting
Canadian Community Radio in the 1970s
Regulating the Campus Radio Sector
Chapter 4: From Campus Borders to Communities: Campus Radio in Three
Canadian Localities
Pre-FM Radio Broadcasting at Three Canadian Universities
Canadian Campus Radio and Community Representation on the FM Dial
Mandates and Philosophies
Locality and Diversity in the Program Grid
Chapter 5: A Community-Based Mandate: Regulating the Campus Radio Sector in
2010
Non-Compliance at Ryerson University's CKLN-FM
The End of CKLN-FM: An Unprecedented Decision
Commercial "Indie" Radio Takes Over
Campus and Community Radio Policy 2010
Chapter 6: Canadian Campus Radio and Local Musical Activity
CHMA and Sackville: Music Festivals and an East Coast Cultural Hub
CKUW and Winnipeg: Isolation and Collaboration in Music Production and
Mythmaking
CiTR and Vancouver: Cultural Institutions and Community in a Growing City
Campus Radio and Cultural Production: Stylus, Discorder, and Pop Alliance
Compilation: Vol. 2
Chapter 7: Campus Radio and Alternative Music Culture
Canadian Campus Radio and Policy-Making
Alternative Music Culture, Cultural Capital, and the Circulation of Local
Musici
The Future of the Canadian Campus Radio Sector
References
Appendices
Index