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This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.

Produktbeschreibung
This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.
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Autorenporträt
K.J. Donnelly is reader and convenor of the Film Studies MA at the University of Southampton. He has written a number of books on screen music and has been a fan of Gerry Anderson's productions since childhood. Philip Hayward is a researcher at Southern Cross University who has a substantial body of publications on science fiction cinema soundtracks, including the edited anthology Off The Planet (2004).