Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and…mehr
Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonathan L. Friedmann is a professor of Jewish music history at the Academy for Jewish Religion, California, and Extraordinary Professor of theology at North-West University (South Africa). He is the author, editor or compiler of eleven other books on music and religion. Visit his website at jonathanfriedmann.com.
Inhaltsangabe
Preface Introduction Part One: Background 1. Music All Around 2. A Silent Source 3. The Ethos of Song 4. Instruction and Inspiration 5. Institutions of Song 6. A Human Need 7. Ceremonial Tones 8. Vessels of Song 9. Is It Music? 10. Dancing into Being 11. The Purposes of Cantillation 12. Chant and Revelation 13. Not Music Alone 14. Songs and Sacri ce 15. Necessary Songs 16. Words and Music 17. A Musical Heart 18. Singing About Singing 19. The Divine Musician 20. Work Songs 21. Proto-Cantors 22. New Year's Noise 23. The Human Family 24. Dancing with Torches 25. Defending the Organ Part Two: Torah-Pentateuch 26. All the Music of the Torah 27. Ordered Sound 28. Words, Words, Words 29. Singing Souls 30. Melodic Beginnings 31. A Musical Species 32. Musical Departures 33. God of the Philosophers 34. The Invisible Art 35. Inventing Hymns 36. A Musical Back-and-Forth 37. Effect and Belief 38. Miriam's Song 39. Singing the Self 40. Music and Iconoclasm 41. Song of the Calf 42. Keeping Shabbat 43. Noisy Vestments 44. Distinguishing Sounds 45. How Goodly 46. Hearing the Holy 47. From Stutter to Song 48. Sabbath Peace 49. Table Songs Part Three: Nevi'im-Prophets 50. Bad Vibrations 51. Terrifying Tones 52. Dancing with Timbrels 53. Fanfares 54. Music, Magic and Manipulation 55. Music Hidden and Revealed 56. Beauty and Function 57. Sacred Perception 58. Simulating Silence 59. Composing Legends 60. Performing Poetry 61. The Silent Treatment 62. Collective Healing 63. Surprising Sounds 64. Musical Prophets 65. Music as Rhetoric 66. Parties and Piety Part Four: Ketuvim-Writings 67. The Signi cance of Song 68. Temple Sounds 69. The Myth of Musical Purity 70. Persuasive Tones 71. Textual Tension 72. Everybody Sings 73. Theurgy and Concentration 74. Public-Private Prayer-Song 75. Psalms of Thanksgiving 76. The Thanksgiving Impulse 77. Musical Maccabees 78. A Musical Remedy 79. Selah 80. A Virtuoso in the Temple Choir 81. Enter in Song 82. Tuneful Bones 83. Loving Love Songs 84. Instrument of Joy 85. Songs in High Places 86. Particular and Universal 87. Musical Awakening 88. Liturgy and Leftovers 89. Hallelujah 90. Fear the Music 91. Sound and Circumstance 92. Sonorous Revelation 93. Survival and the Song of Songs 94. Sing an Old Song 95. Ritual Reenactmant 96. Sound Science 97. A Singing Community 98. Ear of the Beholder 99. In Song and War 100. Songs of Derision Appendix: Resources in Jewish Musicology Bibliography Index
Preface Introduction Part One: Background 1. Music All Around 2. A Silent Source 3. The Ethos of Song 4. Instruction and Inspiration 5. Institutions of Song 6. A Human Need 7. Ceremonial Tones 8. Vessels of Song 9. Is It Music? 10. Dancing into Being 11. The Purposes of Cantillation 12. Chant and Revelation 13. Not Music Alone 14. Songs and Sacri ce 15. Necessary Songs 16. Words and Music 17. A Musical Heart 18. Singing About Singing 19. The Divine Musician 20. Work Songs 21. Proto-Cantors 22. New Year's Noise 23. The Human Family 24. Dancing with Torches 25. Defending the Organ Part Two: Torah-Pentateuch 26. All the Music of the Torah 27. Ordered Sound 28. Words, Words, Words 29. Singing Souls 30. Melodic Beginnings 31. A Musical Species 32. Musical Departures 33. God of the Philosophers 34. The Invisible Art 35. Inventing Hymns 36. A Musical Back-and-Forth 37. Effect and Belief 38. Miriam's Song 39. Singing the Self 40. Music and Iconoclasm 41. Song of the Calf 42. Keeping Shabbat 43. Noisy Vestments 44. Distinguishing Sounds 45. How Goodly 46. Hearing the Holy 47. From Stutter to Song 48. Sabbath Peace 49. Table Songs Part Three: Nevi'im-Prophets 50. Bad Vibrations 51. Terrifying Tones 52. Dancing with Timbrels 53. Fanfares 54. Music, Magic and Manipulation 55. Music Hidden and Revealed 56. Beauty and Function 57. Sacred Perception 58. Simulating Silence 59. Composing Legends 60. Performing Poetry 61. The Silent Treatment 62. Collective Healing 63. Surprising Sounds 64. Musical Prophets 65. Music as Rhetoric 66. Parties and Piety Part Four: Ketuvim-Writings 67. The Signi cance of Song 68. Temple Sounds 69. The Myth of Musical Purity 70. Persuasive Tones 71. Textual Tension 72. Everybody Sings 73. Theurgy and Concentration 74. Public-Private Prayer-Song 75. Psalms of Thanksgiving 76. The Thanksgiving Impulse 77. Musical Maccabees 78. A Musical Remedy 79. Selah 80. A Virtuoso in the Temple Choir 81. Enter in Song 82. Tuneful Bones 83. Loving Love Songs 84. Instrument of Joy 85. Songs in High Places 86. Particular and Universal 87. Musical Awakening 88. Liturgy and Leftovers 89. Hallelujah 90. Fear the Music 91. Sound and Circumstance 92. Sonorous Revelation 93. Survival and the Song of Songs 94. Sing an Old Song 95. Ritual Reenactmant 96. Sound Science 97. A Singing Community 98. Ear of the Beholder 99. In Song and War 100. Songs of Derision Appendix: Resources in Jewish Musicology Bibliography Index
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