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Examines how the music in Val Lewton's horror films enhanced the films' aesthetics and visual style

Produktbeschreibung
Examines how the music in Val Lewton's horror films enhanced the films' aesthetics and visual style
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Autorenporträt
Michael Lee is Professor of Musicology at the University of Oklahoma. He is the author of numerous articles on film music in horror films from studio-era Hollywood. His earlier work focuses on the American postwar avant-garde and the Ballets Russes in the 1920s.