Music Management for the Rest of Us - Taylor, Joe; Taylor, Joe Jr.
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In the music industry, the days of deals in smoke-filled back rooms are all but over. Artist development happens on the streets, not at major labels. And the old-school "professional" managers are stepping down, one by one, to cozy retirements funded by decades of commissions from successful clients. With fewer and fewer "lifers" available to take on new clients, what's an emerging artist to do? Likewise, how does an aspiring artist manager get a start without the connections and influence required of their predecessors? Music business manager and consultant Joe Taylor Jr. set out to answer…mehr

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Produktbeschreibung
In the music industry, the days of deals in smoke-filled back rooms are all but over. Artist development happens on the streets, not at major labels. And the old-school "professional" managers are stepping down, one by one, to cozy retirements funded by decades of commissions from successful clients. With fewer and fewer "lifers" available to take on new clients, what's an emerging artist to do? Likewise, how does an aspiring artist manager get a start without the connections and influence required of their predecessors? Music business manager and consultant Joe Taylor Jr. set out to answer these questions for a member of his staff. The result? Over 160 pages of nuts-and-bolts advice for the novice music manager, or for any musician looking to boost their success team by adding homegrown management to the mix.
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Autorenporträt
Joe Taylor is the author of several story collections and eight novels, most recently Silent Bob from Nat1 Book, LLC. He has three novels coming out in the next year or so, Persephone's Escalator from Sley House (who published his fantasy novel Bad Form), Eric and the Anti-Tankers plus Don't Be Lonely, Lone Ranger, both from Nat 1 Book, LLC. He has two comic novels in verse, Pineapple and Back to the Wine Jug, from Sagging Meniscus Press. He has been the director of Livingston Press at The University of West Alabama . . . forever.