Music communicates where words fail, and music therapy has been proven to connect with those who were thought to be unreachable, making it an ideal medium for working with those who have suffered psychological trauma. Music, Music Therapy and Trauma addresses the need for an exploration of current thinking on music and trauma.
Music communicates where words fail, and music therapy has been proven to connect with those who were thought to be unreachable, making it an ideal medium for working with those who have suffered psychological trauma. Music, Music Therapy and Trauma addresses the need for an exploration of current thinking on music and trauma.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Julie Sutton Belfast and Dublin; Clinical Advisor Pavarotti Music Centre Mostar Bosnia. PART ONE TRAUMA PERSPECTIVES. 1. Trauma: Trauma in context Julie Sutton. 2. Neurology: The brain - its music and its emotion. The neurology of trauma Dr Michael Swallow OBE FRCP. PART TWO CULTURE SOCIETY AND MUSICAL PERSPECTIVES. 3. Culture and Society: The role of creativity in healing and recovering one's power after victimisation Dr Marie Smyth University of Ulster and the Initiative on Conflict Resolution and Ethnicity. 4. Music: The politics of silence: the Northern Ireland composer and the Troubles Hilary Bracefield University of Ulster. PART THREE INTERNATIONAL CLINICAL PERSPECTIVES. 5. South Africa: Fragile rhythms and violent listenings: Music therapy with South African children Dr Mercedes Pavlicevic University of Pretoria. 6. UK: Music and human rights Matthew Dixon Medical Foundation for the Care of Victims of Torture. 7. Ireland: See me hear me play with me: Working with the trauma of early abandonment and deprivation in psychodynamic music therapy Ruth Walsh Stewart Our Lady's Children's Hospital Dublin and David Stewart. 8 . Bosnia: A music therapy service in a post-war environment Louise Lang and Una McInerney Pavarotti Music Centre Mostar. 9. UK: 'In the Music Prison': The story of Pablo Helen Tyler Nordoff-Robbins Music Therapy Centre London. 10. Israel: Trauma and its relation to sound and music Adva Frank-Schwebel Bar Ilan University and David Yellin College Jerusalem . PART FOUR THE SUPPORT PERSPECTIVE. 11. Processes in listening together: An experience of distance supervision of work with traumatised children Louise Lang Una McInerney Rosemary Monaghan and Julie Sutton Bosnia and the UK. 12. The voice of trauma: A wounded healer's perspective Diane Austin New York University. Afterword Julie Sutton. References. Index.
Introduction Julie Sutton Belfast and Dublin; Clinical Advisor Pavarotti Music Centre Mostar Bosnia. PART ONE TRAUMA PERSPECTIVES. 1. Trauma: Trauma in context Julie Sutton. 2. Neurology: The brain - its music and its emotion. The neurology of trauma Dr Michael Swallow OBE FRCP. PART TWO CULTURE SOCIETY AND MUSICAL PERSPECTIVES. 3. Culture and Society: The role of creativity in healing and recovering one's power after victimisation Dr Marie Smyth University of Ulster and the Initiative on Conflict Resolution and Ethnicity. 4. Music: The politics of silence: the Northern Ireland composer and the Troubles Hilary Bracefield University of Ulster. PART THREE INTERNATIONAL CLINICAL PERSPECTIVES. 5. South Africa: Fragile rhythms and violent listenings: Music therapy with South African children Dr Mercedes Pavlicevic University of Pretoria. 6. UK: Music and human rights Matthew Dixon Medical Foundation for the Care of Victims of Torture. 7. Ireland: See me hear me play with me: Working with the trauma of early abandonment and deprivation in psychodynamic music therapy Ruth Walsh Stewart Our Lady's Children's Hospital Dublin and David Stewart. 8 . Bosnia: A music therapy service in a post-war environment Louise Lang and Una McInerney Pavarotti Music Centre Mostar. 9. UK: 'In the Music Prison': The story of Pablo Helen Tyler Nordoff-Robbins Music Therapy Centre London. 10. Israel: Trauma and its relation to sound and music Adva Frank-Schwebel Bar Ilan University and David Yellin College Jerusalem . PART FOUR THE SUPPORT PERSPECTIVE. 11. Processes in listening together: An experience of distance supervision of work with traumatised children Louise Lang Una McInerney Rosemary Monaghan and Julie Sutton Bosnia and the UK. 12. The voice of trauma: A wounded healer's perspective Diane Austin New York University. Afterword Julie Sutton. References. Index.
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