The complex relationship between myths and music is here investigated.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Music and the Myth of Apollo's Grove John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music Férdia J Stone Davis And in England, There are Singers: Grafting Oneself into the Origins of Music Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes Katie Bank Feeling Fallen: A Re telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late Seventeenth and Early Eighteenth Century English Operatic Entertainments Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719 29) Erica Levenson Bibliography
Introduction Music and the Myth of Apollo's Grove John MacInnis The Consolation of Philosophy and the 'Gentle' Remedy of Music Férdia J Stone Davis And in England, There are Singers: Grafting Oneself into the Origins of Music Elina G. Hamilton The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages Jason Stoessel Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 Tim Shephard Marsilio Ficino and Girolamo Cardano under Orpheus's Spell Jacomien Prins Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England Katherine Butler How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England Jamie Apgar In Pursuit of Echo: Sound, Space, and the History of the Self Ljubica Ilic Ophelia's Mad Songs and Performing Story in Early Modern England Samantha Bassler Dangerous Beauty: Stories of Singing Women in Early Modern Italy Sigrid Harris 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes Katie Bank Feeling Fallen: A Re telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' Aurora Faye Martinez 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late Seventeenth and Early Eighteenth Century English Operatic Entertainments Amanda Eubanks Winkler Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719 29) Erica Levenson Bibliography
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