Music Notation for Cinematic Storytelling - Ho, Wen-Shing
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How narrative is constructed in filmmaking closely resembles how music is written. But in music, the 11th-century invention of musical notation allowed composers to edit their musical ideas on parchment, producing sophisticated emotional effects when played. It greatly contributes to the ability to identify and visualize a system of patterned relationships: pitch and melody, major and minor scales, polyphony and counterpoint, meter and tempo, sonata form and symphony, motif and sequence, theme, variation and improvisation. However, there is no such a visual display method to express emotion…mehr

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Produktbeschreibung
How narrative is constructed in filmmaking closely resembles how music is written. But in music, the 11th-century invention of musical notation allowed composers to edit their musical ideas on parchment, producing sophisticated emotional effects when played. It greatly contributes to the ability to identify and visualize a system of patterned relationships: pitch and melody, major and minor scales, polyphony and counterpoint, meter and tempo, sonata form and symphony, motif and sequence, theme, variation and improvisation. However, there is no such a visual display method to express emotion and narrative in cinema that can be used as a composer does notation. As a result, my research is focused on other ways to conceptualize and apply the techniques of musical composition to filmmaking.
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Autorenporträt
Dr. Wen-Shing Ho is a filmmaker and academic. According to the VARIETY, her film TAKAO DANCER ¿¿offers a refreshingly playful break from cinematic storytelling conventions.¿ Currently, She is tenured associate professor at University of Southern California and Shanghai Jiao Tong University joint Institute of Cultural and Creative Industry in China.