Music, Performance and African Identities
Herausgeber: Falola, Toyin; Fleming, Tyler
Music, Performance and African Identities
Herausgeber: Falola, Toyin; Fleming, Tyler
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Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hopâ s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.
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Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hopâ s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge African Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 346
- Erscheinungstermin: 20. September 2013
- Englisch
- Abmessung: 229mm x 152mm x 19mm
- Gewicht: 528g
- ISBN-13: 9780415719612
- ISBN-10: 0415719615
- Artikelnr.: 54024350
- Routledge African Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 346
- Erscheinungstermin: 20. September 2013
- Englisch
- Abmessung: 229mm x 152mm x 19mm
- Gewicht: 528g
- ISBN-13: 9780415719612
- ISBN-10: 0415719615
- Artikelnr.: 54024350
Toyin Falola is the Frances Higginbotham Nalle Centennial Professor in History and a Distinguished Teaching Professor at the University of Texas at Austin. Tyler Fleming is an Assistant Professor in the Department of History & Geography at the University of Texas at Austin.
Introduction Tyler Fleming and Toyin Falola Part One: Contemporary Music
and Its Wider Social Impacts 1. Inventing East African Hip-Hop: Youth and
Musical Convergence in East Africa George Gathigi 2. Rap, Cartoon and Rap
Cartoon: Representations of the Maasai in Contemporary Tanzanian Popular
Culture Katrina Daly Thompson 3. An Emulating Beat: The Takiboronse Effect
in Burkina Faso Popular Culture Batamaka Somé 4. Infectious Beats: Urban
Grooves Music's Collusion with the Zimbabwean State Farai Wonderful Bere
Part Two: Transnational Projections and Performances 5. Popular Culture in
Senegal: Blending the Secular and the Religious Fallou Ngom 6. Blackface in
America and Africa: Popular Arts and Diaspora Consciousness in Cape Town
and the Gold Coast Benjamin Brühwiler 7. The South Africanization of
Tanzanian Christian Popular Music Mathayo B. Ndomondo Part Three:
Historical Reflections on Music 8. Representations of Sophiatown in Kwaito
Music: Mafikizolo and Musical Memory Xavier Livermon 9. Stars of Song and
Cinema: The Impact of Film on 1950s Johannesburg's Black Music Scene Tyler
Fleming 10. Performing and Contesting Modernity: Zimbabwean Urban Musicians
and Cultural Self-Constructions, 1930s-70s Moses Chikowero 11. Revisiting
Country Music in Zimbabwe to Reflect Upon the History of the Study of
African Popular Culture Jonathan Zilberg Part Four: Cultural and Political
Meanings in African Music 12. Things Fall Apart: What Troubles Hath Hip Hop
In Kenya? George Nyabuga 13. Speaking the Unspeakable Through Hiplife: A
Discursive Construction of Ghanaian Political Discourse Samuel Gyasi Obeng
14. Popular Music in Cape Verde: Resistance or Conciliation? Juliana Braz
Dias
and Its Wider Social Impacts 1. Inventing East African Hip-Hop: Youth and
Musical Convergence in East Africa George Gathigi 2. Rap, Cartoon and Rap
Cartoon: Representations of the Maasai in Contemporary Tanzanian Popular
Culture Katrina Daly Thompson 3. An Emulating Beat: The Takiboronse Effect
in Burkina Faso Popular Culture Batamaka Somé 4. Infectious Beats: Urban
Grooves Music's Collusion with the Zimbabwean State Farai Wonderful Bere
Part Two: Transnational Projections and Performances 5. Popular Culture in
Senegal: Blending the Secular and the Religious Fallou Ngom 6. Blackface in
America and Africa: Popular Arts and Diaspora Consciousness in Cape Town
and the Gold Coast Benjamin Brühwiler 7. The South Africanization of
Tanzanian Christian Popular Music Mathayo B. Ndomondo Part Three:
Historical Reflections on Music 8. Representations of Sophiatown in Kwaito
Music: Mafikizolo and Musical Memory Xavier Livermon 9. Stars of Song and
Cinema: The Impact of Film on 1950s Johannesburg's Black Music Scene Tyler
Fleming 10. Performing and Contesting Modernity: Zimbabwean Urban Musicians
and Cultural Self-Constructions, 1930s-70s Moses Chikowero 11. Revisiting
Country Music in Zimbabwe to Reflect Upon the History of the Study of
African Popular Culture Jonathan Zilberg Part Four: Cultural and Political
Meanings in African Music 12. Things Fall Apart: What Troubles Hath Hip Hop
In Kenya? George Nyabuga 13. Speaking the Unspeakable Through Hiplife: A
Discursive Construction of Ghanaian Political Discourse Samuel Gyasi Obeng
14. Popular Music in Cape Verde: Resistance or Conciliation? Juliana Braz
Dias
Introduction Tyler Fleming and Toyin Falola Part One: Contemporary Music
and Its Wider Social Impacts 1. Inventing East African Hip-Hop: Youth and
Musical Convergence in East Africa George Gathigi 2. Rap, Cartoon and Rap
Cartoon: Representations of the Maasai in Contemporary Tanzanian Popular
Culture Katrina Daly Thompson 3. An Emulating Beat: The Takiboronse Effect
in Burkina Faso Popular Culture Batamaka Somé 4. Infectious Beats: Urban
Grooves Music's Collusion with the Zimbabwean State Farai Wonderful Bere
Part Two: Transnational Projections and Performances 5. Popular Culture in
Senegal: Blending the Secular and the Religious Fallou Ngom 6. Blackface in
America and Africa: Popular Arts and Diaspora Consciousness in Cape Town
and the Gold Coast Benjamin Brühwiler 7. The South Africanization of
Tanzanian Christian Popular Music Mathayo B. Ndomondo Part Three:
Historical Reflections on Music 8. Representations of Sophiatown in Kwaito
Music: Mafikizolo and Musical Memory Xavier Livermon 9. Stars of Song and
Cinema: The Impact of Film on 1950s Johannesburg's Black Music Scene Tyler
Fleming 10. Performing and Contesting Modernity: Zimbabwean Urban Musicians
and Cultural Self-Constructions, 1930s-70s Moses Chikowero 11. Revisiting
Country Music in Zimbabwe to Reflect Upon the History of the Study of
African Popular Culture Jonathan Zilberg Part Four: Cultural and Political
Meanings in African Music 12. Things Fall Apart: What Troubles Hath Hip Hop
In Kenya? George Nyabuga 13. Speaking the Unspeakable Through Hiplife: A
Discursive Construction of Ghanaian Political Discourse Samuel Gyasi Obeng
14. Popular Music in Cape Verde: Resistance or Conciliation? Juliana Braz
Dias
and Its Wider Social Impacts 1. Inventing East African Hip-Hop: Youth and
Musical Convergence in East Africa George Gathigi 2. Rap, Cartoon and Rap
Cartoon: Representations of the Maasai in Contemporary Tanzanian Popular
Culture Katrina Daly Thompson 3. An Emulating Beat: The Takiboronse Effect
in Burkina Faso Popular Culture Batamaka Somé 4. Infectious Beats: Urban
Grooves Music's Collusion with the Zimbabwean State Farai Wonderful Bere
Part Two: Transnational Projections and Performances 5. Popular Culture in
Senegal: Blending the Secular and the Religious Fallou Ngom 6. Blackface in
America and Africa: Popular Arts and Diaspora Consciousness in Cape Town
and the Gold Coast Benjamin Brühwiler 7. The South Africanization of
Tanzanian Christian Popular Music Mathayo B. Ndomondo Part Three:
Historical Reflections on Music 8. Representations of Sophiatown in Kwaito
Music: Mafikizolo and Musical Memory Xavier Livermon 9. Stars of Song and
Cinema: The Impact of Film on 1950s Johannesburg's Black Music Scene Tyler
Fleming 10. Performing and Contesting Modernity: Zimbabwean Urban Musicians
and Cultural Self-Constructions, 1930s-70s Moses Chikowero 11. Revisiting
Country Music in Zimbabwe to Reflect Upon the History of the Study of
African Popular Culture Jonathan Zilberg Part Four: Cultural and Political
Meanings in African Music 12. Things Fall Apart: What Troubles Hath Hip Hop
In Kenya? George Nyabuga 13. Speaking the Unspeakable Through Hiplife: A
Discursive Construction of Ghanaian Political Discourse Samuel Gyasi Obeng
14. Popular Music in Cape Verde: Resistance or Conciliation? Juliana Braz
Dias