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Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria explores the nature of sound as a powerful yet ambivalent force in the religious struggles that permeated Germany during the Counter-Reformation.
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Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria explores the nature of sound as a powerful yet ambivalent force in the religious struggles that permeated Germany during the Counter-Reformation.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 384
- Erscheinungstermin: 7. Januar 2014
- Englisch
- Abmessung: 236mm x 165mm x 33mm
- Gewicht: 680g
- ISBN-13: 9780199764648
- ISBN-10: 0199764646
- Artikelnr.: 40185121
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Hurst & Co.
- Seitenzahl: 384
- Erscheinungstermin: 7. Januar 2014
- Englisch
- Abmessung: 236mm x 165mm x 33mm
- Gewicht: 680g
- ISBN-13: 9780199764648
- ISBN-10: 0199764646
- Artikelnr.: 40185121
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Alexander J. Fisher is Assistant Professor of Music at the University of British Columbia in Vancouver, Canada. A musicologist specializing in music, sound, and religious culture in early modern Europe, he teaches courses in early music and coordinates the university's Early Music Ensemble.
* Table of Contents
* Acknowledgments
* Abbreviations for Source Locations
* I. Sound, Space, and Confession in Counter-Reformation Bavaria
* Historical soundscapes
* Sound, space, and place
* Identity, discipline, and confessionalization
* The soundscapes of Counter-Reformation Bavaria
* The structure and scope of the book
* II. Sound and the Spaces of Worship
* Public churches and the experience of liturgical space
* Congregational song
* St. Michael in Munich, the Jesuits, and Counter-Reformation worship
* Cathedral, Collegiate, and Parish churches in the age of Tridentine
reform
* The cathedral of Freising
* Unsere Liebe Frau in Munich
* St. Peter in Munich
* Liturgy in the religious orders
* Courtly spaces for liturgy: the Bavarian court chapel
* The court chapel of St. George and liturgical music in the sixteenth
* century
* The new court chapel of Mary of the Immaculate Conception and
* liturgical music under Maximilian I
* III. Sound and Spaces of Devotion
* Devotional polyphony for cultivated spaces
* Monastic devotion
* Confraternities and congregations
* The Marian Congregations
* Marian, Eucharistic, and other confraternities
* Corporate devotional services and gatherings
* Funerals and burials
* Salve services
* Seasonal devotions for Christmas and Lent
* Supplications and Celebrations
* Song and the soundscape
* IV. Sound and Confession in the Civic Sphere
* Bells and the urban soundscape
* Regulating the sounds of profane life
* Song in the public sphere
* Sound in public religious spectacles
* V. Music, Sound, and Processional Culture
* Corpus Christi processions
* The Corpus Christi procession in Munich
* Good Friday processions
* Processions of supplication and triumph
* VI. Sound, Pilgrimage, and the Spiritual Geography of
Counter-Reformation Bavaria
* Pilgrimage in the Reformation and Counter-Reformation
* The music of pilgrimage: songs and litanies
* Bavarian pilgrimage songs
* The litany in Bavarian pilgrimage
* Sound in the practice of pilgrimage
* Departure
* En route and upon arrival
* A pilgrimage to St. Benno in Munich
* Bibliography
* Index
* Acknowledgments
* Abbreviations for Source Locations
* I. Sound, Space, and Confession in Counter-Reformation Bavaria
* Historical soundscapes
* Sound, space, and place
* Identity, discipline, and confessionalization
* The soundscapes of Counter-Reformation Bavaria
* The structure and scope of the book
* II. Sound and the Spaces of Worship
* Public churches and the experience of liturgical space
* Congregational song
* St. Michael in Munich, the Jesuits, and Counter-Reformation worship
* Cathedral, Collegiate, and Parish churches in the age of Tridentine
reform
* The cathedral of Freising
* Unsere Liebe Frau in Munich
* St. Peter in Munich
* Liturgy in the religious orders
* Courtly spaces for liturgy: the Bavarian court chapel
* The court chapel of St. George and liturgical music in the sixteenth
* century
* The new court chapel of Mary of the Immaculate Conception and
* liturgical music under Maximilian I
* III. Sound and Spaces of Devotion
* Devotional polyphony for cultivated spaces
* Monastic devotion
* Confraternities and congregations
* The Marian Congregations
* Marian, Eucharistic, and other confraternities
* Corporate devotional services and gatherings
* Funerals and burials
* Salve services
* Seasonal devotions for Christmas and Lent
* Supplications and Celebrations
* Song and the soundscape
* IV. Sound and Confession in the Civic Sphere
* Bells and the urban soundscape
* Regulating the sounds of profane life
* Song in the public sphere
* Sound in public religious spectacles
* V. Music, Sound, and Processional Culture
* Corpus Christi processions
* The Corpus Christi procession in Munich
* Good Friday processions
* Processions of supplication and triumph
* VI. Sound, Pilgrimage, and the Spiritual Geography of
Counter-Reformation Bavaria
* Pilgrimage in the Reformation and Counter-Reformation
* The music of pilgrimage: songs and litanies
* Bavarian pilgrimage songs
* The litany in Bavarian pilgrimage
* Sound in the practice of pilgrimage
* Departure
* En route and upon arrival
* A pilgrimage to St. Benno in Munich
* Bibliography
* Index
* Table of Contents
* Acknowledgments
* Abbreviations for Source Locations
* I. Sound, Space, and Confession in Counter-Reformation Bavaria
* Historical soundscapes
* Sound, space, and place
* Identity, discipline, and confessionalization
* The soundscapes of Counter-Reformation Bavaria
* The structure and scope of the book
* II. Sound and the Spaces of Worship
* Public churches and the experience of liturgical space
* Congregational song
* St. Michael in Munich, the Jesuits, and Counter-Reformation worship
* Cathedral, Collegiate, and Parish churches in the age of Tridentine
reform
* The cathedral of Freising
* Unsere Liebe Frau in Munich
* St. Peter in Munich
* Liturgy in the religious orders
* Courtly spaces for liturgy: the Bavarian court chapel
* The court chapel of St. George and liturgical music in the sixteenth
* century
* The new court chapel of Mary of the Immaculate Conception and
* liturgical music under Maximilian I
* III. Sound and Spaces of Devotion
* Devotional polyphony for cultivated spaces
* Monastic devotion
* Confraternities and congregations
* The Marian Congregations
* Marian, Eucharistic, and other confraternities
* Corporate devotional services and gatherings
* Funerals and burials
* Salve services
* Seasonal devotions for Christmas and Lent
* Supplications and Celebrations
* Song and the soundscape
* IV. Sound and Confession in the Civic Sphere
* Bells and the urban soundscape
* Regulating the sounds of profane life
* Song in the public sphere
* Sound in public religious spectacles
* V. Music, Sound, and Processional Culture
* Corpus Christi processions
* The Corpus Christi procession in Munich
* Good Friday processions
* Processions of supplication and triumph
* VI. Sound, Pilgrimage, and the Spiritual Geography of
Counter-Reformation Bavaria
* Pilgrimage in the Reformation and Counter-Reformation
* The music of pilgrimage: songs and litanies
* Bavarian pilgrimage songs
* The litany in Bavarian pilgrimage
* Sound in the practice of pilgrimage
* Departure
* En route and upon arrival
* A pilgrimage to St. Benno in Munich
* Bibliography
* Index
* Acknowledgments
* Abbreviations for Source Locations
* I. Sound, Space, and Confession in Counter-Reformation Bavaria
* Historical soundscapes
* Sound, space, and place
* Identity, discipline, and confessionalization
* The soundscapes of Counter-Reformation Bavaria
* The structure and scope of the book
* II. Sound and the Spaces of Worship
* Public churches and the experience of liturgical space
* Congregational song
* St. Michael in Munich, the Jesuits, and Counter-Reformation worship
* Cathedral, Collegiate, and Parish churches in the age of Tridentine
reform
* The cathedral of Freising
* Unsere Liebe Frau in Munich
* St. Peter in Munich
* Liturgy in the religious orders
* Courtly spaces for liturgy: the Bavarian court chapel
* The court chapel of St. George and liturgical music in the sixteenth
* century
* The new court chapel of Mary of the Immaculate Conception and
* liturgical music under Maximilian I
* III. Sound and Spaces of Devotion
* Devotional polyphony for cultivated spaces
* Monastic devotion
* Confraternities and congregations
* The Marian Congregations
* Marian, Eucharistic, and other confraternities
* Corporate devotional services and gatherings
* Funerals and burials
* Salve services
* Seasonal devotions for Christmas and Lent
* Supplications and Celebrations
* Song and the soundscape
* IV. Sound and Confession in the Civic Sphere
* Bells and the urban soundscape
* Regulating the sounds of profane life
* Song in the public sphere
* Sound in public religious spectacles
* V. Music, Sound, and Processional Culture
* Corpus Christi processions
* The Corpus Christi procession in Munich
* Good Friday processions
* Processions of supplication and triumph
* VI. Sound, Pilgrimage, and the Spiritual Geography of
Counter-Reformation Bavaria
* Pilgrimage in the Reformation and Counter-Reformation
* The music of pilgrimage: songs and litanies
* Bavarian pilgrimage songs
* The litany in Bavarian pilgrimage
* Sound in the practice of pilgrimage
* Departure
* En route and upon arrival
* A pilgrimage to St. Benno in Munich
* Bibliography
* Index