Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as communitydriven preservation projects.
Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as communitydriven preservation projects.
Norie Guthrie is an archivist and special collections librarian at Fondren Library's Woodson Research Center at Rice University. While her job requires her to do a little bit of everything, she specializes in collecting and processing music materials from the Houston Folk Music Archive, which she began in 2016. She is also one-half of the duo behind Indie Preserves, which aims to provide music preservation tips to the DIY music community. Scott Carlson is the metadata coordinator at Fondren Library, Rice University. He received his MLIS from Dominican University in River Forest, Illinois, and an Archives Certificate in Digital Stewardship from Simmons College. With Norie Guthrie, he co-founded Indie Preserves, a website that provides practical preservation advice to independent music labels and bands.
Inhaltsangabe
Part I: Documenting Local Music Communities Chapter 1: "Preserving Rock and Roll History on the North Coast" by Andy Leach & Jennie Thomas Chapter 2: "Establishing a Regional Music Archives at the University of Illinois" by Rory Grennan, Katherine Nichols, and Scott W. Schwartz Chapter 3: "Pushing the Boundaries of Donor Relations to Build the Houston Folk Music Archive" by Norie Guthrie Chapter 4: "Building Punk and Heavy Metal Collections at UCLA Library Special Collections" by Megan Hahn Fraser and Melissa Haley Part II: Leveraging Archival Materials Chapter 5: "Exploring the Houston Folk Music Archive in the First-Year Classroom" by Andrew A. Klein Chapter 6: "Mastering the Sonics of Historic Recording Media" by Jessica Thompson Chapter 7: "Exploring the Attics of the Counterculture" by Jesse Jarnow Part III: Outsider Music Preservation Chapter 8: "Preserving Underground Hip Hop Tapes in Ethnographic Context" by Anthony Kwame Harrison Chapter 9: "Pursuing Preservation in the DIY Music Community" by Norie Guthrie Scott Carlson Chapter 10: "Preserving Music Through Reissues" by Jeremy Berg Chapter 11: "Bootleg Compilations as Fan Preservation" by Scott Carlson Appendix 1: Rock and Roll Hall of Fame Scan Day Permission and Donation Form Appendix 2: Indie Preserves Survey
Part I: Documenting Local Music Communities Chapter 1: "Preserving Rock and Roll History on the North Coast" by Andy Leach & Jennie Thomas Chapter 2: "Establishing a Regional Music Archives at the University of Illinois" by Rory Grennan, Katherine Nichols, and Scott W. Schwartz Chapter 3: "Pushing the Boundaries of Donor Relations to Build the Houston Folk Music Archive" by Norie Guthrie Chapter 4: "Building Punk and Heavy Metal Collections at UCLA Library Special Collections" by Megan Hahn Fraser and Melissa Haley Part II: Leveraging Archival Materials Chapter 5: "Exploring the Houston Folk Music Archive in the First-Year Classroom" by Andrew A. Klein Chapter 6: "Mastering the Sonics of Historic Recording Media" by Jessica Thompson Chapter 7: "Exploring the Attics of the Counterculture" by Jesse Jarnow Part III: Outsider Music Preservation Chapter 8: "Preserving Underground Hip Hop Tapes in Ethnographic Context" by Anthony Kwame Harrison Chapter 9: "Pursuing Preservation in the DIY Music Community" by Norie Guthrie Scott Carlson Chapter 10: "Preserving Music Through Reissues" by Jeremy Berg Chapter 11: "Bootleg Compilations as Fan Preservation" by Scott Carlson Appendix 1: Rock and Roll Hall of Fame Scan Day Permission and Donation Form Appendix 2: Indie Preserves Survey
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