The first edition of Ernst Kurth's Musikpsychologie appeared in 1931, and was regarded as no less than the foundation for a new 'systematic' music psychology (Wellek 1933). Tan and Neidhöfer's first full translation provides English-speaking theorists the opportunity to delve deeper into his ideas.
The first edition of Ernst Kurth's Musikpsychologie appeared in 1931, and was regarded as no less than the foundation for a new 'systematic' music psychology (Wellek 1933). Tan and Neidhöfer's first full translation provides English-speaking theorists the opportunity to delve deeper into his ideas.
Ernst Kurth (1 June 1886, in Vienna - 2 August 1946, in Bern) was a Swiss music theorist of Austrian origin.
Inhaltsangabe
Section 1. Tone Psychology and Music Psychology Chapter 1. Initial consideration: the phenomenon of tone Chapter 2. The structure of the experiences of tone Chapter 3. Areas and boundaries of music psychology Section 2. Force, Space, Matter Chapter 1. Energy from a psychological perspective Chapter 2. The problem of the image of motion [Bewegungsbild] Chapter 3. Psychic and physical energy Chapter 4. The musical phenomenon of space Chapter 5. The matter-illusion Section 3. Phenomenal Forms of Sonic Material Chapter 1. Harmony [Zusammenklang] Chapter 2. The Dynamism of Sound Chapter 3. Chordal Motion Section 4. Phenomenal Forms of Movement Chapter 1. On the psychology of the concept of form Chapter 2. Basic psychic functions in melodic formation Chapter 3. Rhythmic continuous forms
Section 1. Tone Psychology and Music Psychology
Chapter 1. Initial consideration: the phenomenon of tone
Chapter 2. The structure of the experiences of tone
Chapter 3. Areas and boundaries of music psychology
Section 2. Force, Space, Matter
Chapter 1. Energy from a psychological perspective
Chapter 2. The problem of the image of motion [Bewegungsbild]
Chapter 3. Psychic and physical energy
Chapter 4. The musical phenomenon of space
Chapter 5. The matter-illusion
Section 3. Phenomenal Forms of Sonic Material
Chapter 1. Harmony [Zusammenklang]
Chapter 2. The Dynamismof Sound
Chapter 3. Chordal Motion
Section 4. Phenomenal Forms of Movement
Chapter 1. On the psychology of the concept of form
Chapter 2. Basic psychic functions in melodic formation
Section 1. Tone Psychology and Music Psychology Chapter 1. Initial consideration: the phenomenon of tone Chapter 2. The structure of the experiences of tone Chapter 3. Areas and boundaries of music psychology Section 2. Force, Space, Matter Chapter 1. Energy from a psychological perspective Chapter 2. The problem of the image of motion [Bewegungsbild] Chapter 3. Psychic and physical energy Chapter 4. The musical phenomenon of space Chapter 5. The matter-illusion Section 3. Phenomenal Forms of Sonic Material Chapter 1. Harmony [Zusammenklang] Chapter 2. The Dynamism of Sound Chapter 3. Chordal Motion Section 4. Phenomenal Forms of Movement Chapter 1. On the psychology of the concept of form Chapter 2. Basic psychic functions in melodic formation Chapter 3. Rhythmic continuous forms
Section 1. Tone Psychology and Music Psychology
Chapter 1. Initial consideration: the phenomenon of tone
Chapter 2. The structure of the experiences of tone
Chapter 3. Areas and boundaries of music psychology
Section 2. Force, Space, Matter
Chapter 1. Energy from a psychological perspective
Chapter 2. The problem of the image of motion [Bewegungsbild]
Chapter 3. Psychic and physical energy
Chapter 4. The musical phenomenon of space
Chapter 5. The matter-illusion
Section 3. Phenomenal Forms of Sonic Material
Chapter 1. Harmony [Zusammenklang]
Chapter 2. The Dynamismof Sound
Chapter 3. Chordal Motion
Section 4. Phenomenal Forms of Movement
Chapter 1. On the psychology of the concept of form
Chapter 2. Basic psychic functions in melodic formation
Chapter 3. Rhythmic continuous forms
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