Music Saved Them, They Say: Social Impacts of Music-Making and Learning in Kinshasa (DR Congo) explores the role music-making has played in community projects run for young people in the poverty-stricken and often violent surroundings of Kinshasa, the capital city of the Democratic Republic of the Congo.
Music Saved Them, They Say: Social Impacts of Music-Making and Learning in Kinshasa (DR Congo) explores the role music-making has played in community projects run for young people in the poverty-stricken and often violent surroundings of Kinshasa, the capital city of the Democratic Republic of the Congo.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lukas Pairon is the co-founder and director of the international research platform SIMM (Social Impacts of Making Music).
Inhaltsangabe
List of Figures Foreword Preface Acknowledgements Introduction Chapter 1: The Case Studies: Espace Masolo and Beta Mbonda Chapter 2: Practitioner Research Chapter 3: Why Make Music at All? Chapter 4: Artistic and Social Accompaniment: The Teaming Up of Musicians Teachers Mentors Educators Chapter 5: Behind the Wheel: The Role of Competence and Mastering Chapter 6: Shared Ownership: The Potential of Empowerment through Participation in Internal Organization and Governance Related to Music-Making Chapter 7: Music As an End in Itself: The Role of Enjoyment Play About the Author Index
List of Figures Foreword Preface Acknowledgements Introduction Chapter 1: The Case Studies: Espace Masolo and Beta Mbonda Chapter 2: Practitioner Research Chapter 3: Why Make Music at All? Chapter 4: Artistic and Social Accompaniment: The Teaming Up of Musicians Teachers Mentors Educators Chapter 5: Behind the Wheel: The Role of Competence and Mastering Chapter 6: Shared Ownership: The Potential of Empowerment through Participation in Internal Organization and Governance Related to Music-Making Chapter 7: Music As an End in Itself: The Role of Enjoyment Play About the Author Index
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