Music Scenes and Migrations

Space and Transnationalism in Brazil, Portugal and the Atlantic
Herausgeber: Treece, David

• Gebundenes Buch

Produktbeschreibung

'Music Scenes and Migrations' brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe, with particular attention to the role of the city in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world.

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Produktdetails

• Verlag: Anthem Press
• Seitenzahl: 252
• Erscheinungstermin: 30. Juni 2020
• Englisch
• Abmessung: 235mm x 157mm x 19mm
• Gewicht: 567g
• ISBN-13: 9781785273841
• ISBN-10: 1785273841
• Artikelnr.: 59643181

Autorenporträt

David Treece, author and educator, is Camoens Professor of Portuguese at King's College London, where he has taught and researched on Brazilian culture since 1987.

Inhaltsangabe

List of Illustrations; Acknowledgements; Introduction, David Treece; Part 1
Colonial and Postcolonial Transnationalisms, Migrations and Diasporas;
Chapter 1 The Cimboa and Cape Verdean Transcultural Heritage, Luiz Moretto;
Chapter 2 Lundus , Street Organs, Music Boxes and the 'Cachucha': Early
Nineteenth- Century Transatlantic Crossings between Europe and Rio de
Janeiro, Martha Tupinamb á de Ulhôa; Chapter 3 Música caipira and Rooting,
Ivan Vilela; Chapter 4 Lusofonia as Intervention: Postcolonial
Intercultural Traffic in Lusophone Hip Hop Events, Bart Paul Vanspauwen;
Chapter 5 'A Piece of Brazil in Lisbon': Brazilian Musical Practices in the
Portuguese Capital, Amanda Fernandes Guerreiro; Chapter 6 'Calentando la
Ciudad': Intimacy and Cosmopolitanism among Brazilian Musicians in Madrid,
Gabril Dan Hoskin; Part 2 Relocating Rio de Janeiro; Chapter 7 Samba, Its
Places and Its City, Cláudia Neiva de Matos; Chapter 8 Between Temple Yards
and Hillsides: Rio de Janeiro's Samba, Its Spaces, Humour and Identity,
Fabiana Lopes da Cunha; Chapter 9 The Construction of a Canonical Space for
Samba and Choro within the Brazilian Social Imaginary, Micael Herschmann
and Felipe Trotta; Chapter 10 The National Arts Foundation and the
Monumentalization of Rio de Janeiro's Popular Music as National Heritage,
Tânia da Costa Garcia; Chapter 11 Samba, Anti-Racism and Communitarian
Politics in 1970s Rio de Janeiro: Candeia and the Quilombo Project, David
Treece; Chapter 12 Samba, Pagode and Mediation: From Backyard to Disc,
Waldir de Amorim Pinto; Part 3 Demetropolitanizing the Musical City: Other
Scenes, Industries, Technologies; Chapter 13 Brazilian Post- Punk in the
Catalogue of the Independent Record Company Baratos Afins, Marcia Tosta
Dias; Chapter 14 M ú sica Pesada Brasileira: Sepultura and the Reinvention
of Brazilian Sound, Jeder Silveira Janotti Junior; Chapter 15 Digital
Culture, Music Video, and the Brazilian Peripheral Pop Music Scene, Simone
Pereira de Sá; Chapter 16 An Introduction to the New Social Place of
Brazilian Rap: The Work of Emicida, Daniela Vieira dos Santos; Chapter 17
Another Music in a Diff erent (and Unstable) Room: A Route through
Underground Music Scenes in Contemporary Portuguese Society, Paula Guerra;
Notes on Contributors; Notes; References; Index.