The performing arts is an emerging area of youth community practice that has tremendous potential for reaching and positively transforming urban youth lives and to do so in a socially just manner.
The performing arts is an emerging area of youth community practice that has tremendous potential for reaching and positively transforming urban youth lives and to do so in a socially just manner.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Melvin Delgado, PhD, Professor of Social Work & Co-Director, Center on Addictions Research and Services (CARS), Boston University School of Social Work. Dr. Delgado is currently OUP Series Editor of the Social Justice and Youth Community Practice Series. He has maintained an active research and scholarly agenda focused on urban youth practice.
Inhaltsangabe
* Section 1: Setting the Context * Chapter 1: An Overview * Chapter 2: Youth Community Practice * Chapter 3: Youth * Chapter 4: Key Values and Ethical Challenges and Social Justice Youth Community Practice * Chapter 5: Social Justice Youth Community Practice and Out-of-School Settings * Section 2: Music, Song, Dance and Theater * Chapter 6: Music * Chapter 7: Song * Chapter 8: Dance * Chapter 9: Theatre * Section 3: Case Studies and Illustrations * Chapter 10: Music: ZUMIX, Boston * Chapter 11: Song: The Good Life Organization, Chicago * Chapter 12: Dance: Moving in the Spirit, Atlanta * Chapter 13: Theatre: The Unusual Suspects, L.A. * Section 4: Future Directions and Conclusions * Chapter 14: Theory to Action * Chapter 15: Future Directions * Chapter 16: Epilogue * References * Index
* Section 1: Setting the Context * Chapter 1: An Overview * Chapter 2: Youth Community Practice * Chapter 3: Youth * Chapter 4: Key Values and Ethical Challenges and Social Justice Youth Community Practice * Chapter 5: Social Justice Youth Community Practice and Out-of-School Settings * Section 2: Music, Song, Dance and Theater * Chapter 6: Music * Chapter 7: Song * Chapter 8: Dance * Chapter 9: Theatre * Section 3: Case Studies and Illustrations * Chapter 10: Music: ZUMIX, Boston * Chapter 11: Song: The Good Life Organization, Chicago * Chapter 12: Dance: Moving in the Spirit, Atlanta * Chapter 13: Theatre: The Unusual Suspects, L.A. * Section 4: Future Directions and Conclusions * Chapter 14: Theory to Action * Chapter 15: Future Directions * Chapter 16: Epilogue * References * Index
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