Music, Sound, and Documentary Film in the Global South
Herausgeber: Ballengee, Christopher L.
Music, Sound, and Documentary Film in the Global South
Herausgeber: Ballengee, Christopher L.
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Through close readings of documentary film soundscapes, the essays in Music, Sound, and Documentary Film in the Global South provide new perspectives on the sonic dimension of nonfiction film outside the European-American mainstream.
Andere Kunden interessierten sich auch für
- Nick CrossleyNetworks of sound, style and subversion113,99 €
- Phil RoseRadiohead and the Global Movement for Change56,99 €
- Brandon L. HaskettThe Emergence of the U.S. School Steel Band Movement123,99 €
- Timothy DodgeThe School of Arizona Dranes135,99 €
- Michael J. MasciCharles-Simon Catel's Treatise on Harmony and the Disciplining of Harmony at the Early Paris Conservatory106,99 €
- Donald SandersMusic at the Gonzaga Court in Mantua127,99 €
- David Walter LeinweberThe Art of Ancient Music118,99 €
-
-
-
Through close readings of documentary film soundscapes, the essays in Music, Sound, and Documentary Film in the Global South provide new perspectives on the sonic dimension of nonfiction film outside the European-American mainstream.
Produktdetails
- Produktdetails
- Extreme Sounds Studies: Global Socio-Cultural Explorations
- Verlag: Lexington Books
- Seitenzahl: 196
- Erscheinungstermin: 1. November 2022
- Englisch
- Abmessung: 235mm x 157mm x 15mm
- Gewicht: 445g
- ISBN-13: 9781666902952
- ISBN-10: 1666902950
- Artikelnr.: 64975341
- Extreme Sounds Studies: Global Socio-Cultural Explorations
- Verlag: Lexington Books
- Seitenzahl: 196
- Erscheinungstermin: 1. November 2022
- Englisch
- Abmessung: 235mm x 157mm x 15mm
- Gewicht: 445g
- ISBN-13: 9781666902952
- ISBN-10: 1666902950
- Artikelnr.: 64975341
Edited by Christopher L. Ballengee - Contributions by Andre Bagoo; Miki Brunou; Lucas Izquierdo; Rajesh James; Damascus Kafumbe; Rounak Maiti; Daniel Nevárez Araújo; Malavika P. Pillai; Yovanna Pineda; Aleksander Sedzielarz; Anna Stirr; Bhakta Syangtan; N
Introduction: Being Heard: Music, Sound, and Documentary Film in the Global
South
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic
Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the
Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic
Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal,
Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin
American Heavy Metal Documentaries
Daniel Nevárez Araújo and Nelson Varas-Díaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's
Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and
Encounters of History and the Everyday in Antonio Wong Rengifo's
Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in
Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors
South
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic
Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the
Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic
Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal,
Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin
American Heavy Metal Documentaries
Daniel Nevárez Araújo and Nelson Varas-Díaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's
Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and
Encounters of History and the Everyday in Antonio Wong Rengifo's
Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in
Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors
Introduction: Being Heard: Music, Sound, and Documentary Film in the Global
South
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic
Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the
Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic
Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal,
Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin
American Heavy Metal Documentaries
Daniel Nevárez Araújo and Nelson Varas-Díaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's
Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and
Encounters of History and the Everyday in Antonio Wong Rengifo's
Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in
Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors
South
Christopher L. Ballengee
Chapter 1. Helping a Nation to Know Itself: Postcolonial Identity and Sonic
Horizons at Films Division India, 1950-1975
Rounak Maiti
Chapter 2. Invisible Architecture, Radical Ethnography: Juan Downey and the
Sound of Laughter
Michael Newell Witte
Chapter 3. Drum Making as a Way of Life in South-Central Uganda: A Filmic
Approach
Damascus Kafumbe
Chapter 4. Narrating a Revolutionary Life through Song: Personal,
Political, and Musical Choices in Making Singing a Great Dream
Anna Stirr and Bhakta Syangtan
Chapter 5. Beyond the Visual: The Use of Sound in Tales from Our Childhood
Rajesh James and Malavika Pillai
Chapter 6. Lodes of Metal: The Texture and Sound of Memory in Latin
American Heavy Metal Documentaries
Daniel Nevárez Araújo and Nelson Varas-Díaz
Chapter 7. Framing the Future: The Take, Nine Queens, and Argentina's
Neoliberal Soundscapes
Yovanna Pineda and Lucas Izquierdo
Chapter 8. Under the Amazon Sun: Musical Composition, Filmic Form, and
Encounters of History and the Everyday in Antonio Wong Rengifo's
Chronotopias of the Peruvian Amazon
Aleksander Sedzielarz
Chapter 9. Aural Identities: Auditive Representations of Ethnicity in
Documentary Film
Miki Brunou
Chapter 10. Only Connect: Two Trinidads, Two Documentaries
Andre Bagoo
About the Contributors