A timely and much-needed critical examination of the idea of musical subjectivity, this book draws on philosophy, critical theory and music analysis to probe the meaning of this elusive concept. Benedict Taylor focuses on the music of Robert Schumann, with whose music the term 'subjectivity' is probably most closely associated.
A timely and much-needed critical examination of the idea of musical subjectivity, this book draws on philosophy, critical theory and music analysis to probe the meaning of this elusive concept. Benedict Taylor focuses on the music of Robert Schumann, with whose music the term 'subjectivity' is probably most closely associated.
Benedict Taylor is Reader in Music at the University of Edinburgh and editor of Music & Letters. His publications include The Melody of Time: Music and Temporality in the Romantic Era (2015) and, as editor, Rethinking Mendelssohn (2020) and The Cambridge Companion to Music and Romanticism (2021).
Inhaltsangabe
Preamble: Schumann, Subjectivity Prosopopoeic Preliminaries: 1. Defining subjectivity Part I. Hearing Subjects: 2. Hearing the self 3. Hearing selves Part II. Hearing Presence: 4. Presence of the self 5. Presence of the other Part III. Hearing Absence: 6. Absence of the other 7. Absence of the self Part IV. Hearing Others: 8. Hearing another's voice 9. Hearing oneself as another Epilogue: 10. Hearing ourselves.
Preamble: Schumann, Subjectivity Prosopopoeic Preliminaries: 1. Defining subjectivity Part I. Hearing Subjects: 2. Hearing the self 3. Hearing selves Part II. Hearing Presence: 4. Presence of the self 5. Presence of the other Part III. Hearing Absence: 6. Absence of the other 7. Absence of the self Part IV. Hearing Others: 8. Hearing another's voice 9. Hearing oneself as another Epilogue: 10. Hearing ourselves.
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