Music, the Market, and the Marvellous examines féerie, the fairy play, recovering a large swathe of the theatrical landscape of nineteenth-century Paris. Forgotten plays are rediscovered, familiar works take on new meanings, and traditional historiographical narratives about drama and 'musical theatre' are thrown into question.
Music, the Market, and the Marvellous examines féerie, the fairy play, recovering a large swathe of the theatrical landscape of nineteenth-century Paris. Forgotten plays are rediscovered, familiar works take on new meanings, and traditional historiographical narratives about drama and 'musical theatre' are thrown into question.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tommaso Sabbatini is a music historian specializing in nineteenth-century French theatre. He is currently a Marie Sklodowska-Curie Postdoctoral Fellow at the University of Bristol and McGill University. His research has been supported by the French Government, the American Musicological Society, and the British Academy. He has edited the Opéra-Comique production book from the French première of Giacomo Puccini's Tosca (forthcoming).
Inhaltsangabe
List of Figures List of Tables List of Musical Examples 1: Overture: Féerie and Theatre with Music 2: Composerly Féerie and the Operettization of Féerie 3: Scientific Féerie and the Féerization of Parisian Theatre 4: The People of Féerie Appendix 1: Chronology and Sources Appendix 2: Personalia Index
List of Figures List of Tables List of Musical Examples 1: Overture: Féerie and Theatre with Music 2: Composerly Féerie and the Operettization of Féerie 3: Scientific Féerie and the Féerization of Parisian Theatre 4: The People of Féerie Appendix 1: Chronology and Sources Appendix 2: Personalia Index
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