Designed for music scholars, historians, and those interested in music of the 'Classical era', Glatthorn's book explores the contexts in which Mozart, Haydn, and Beethoven lived, going beyond these individuals to uncover the musical figures, processes, and materials that shaped the world of Central European music theatre c.1800.
Designed for music scholars, historians, and those interested in music of the 'Classical era', Glatthorn's book explores the contexts in which Mozart, Haydn, and Beethoven lived, going beyond these individuals to uncover the musical figures, processes, and materials that shaped the world of Central European music theatre c.1800.
Austin Glatthorn is the British Academy Newton International Fellow, Department of Music at Durham University. Glatthorn received the Mozart Society of America's Marjorie Weston Emerson Award (2018) and was a winner of the Music & Letters Centenary Prize Competition (2019).
Inhaltsangabe
Introduction: Music for an imperial stage 1. An empire of theatres 2. (In)forming repertoire 3. Letters from the German stage 4. 'Germany's daughter, Melodrama' 5. Staging imperial identity Epilogue: Echoes of an empire.
Introduction: Music for an imperial stage 1. An empire of theatres 2. (In)forming repertoire 3. Letters from the German stage 4. 'Germany's daughter, Melodrama' 5. Staging imperial identity Epilogue: Echoes of an empire.
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