Using a variety of methodological perspectives, this volume explores ethical and doctrinal implications in the social practice of music. Grouped according to the threefold ministry of Christ (prophet, priest, shepherd) the essays discuss a wide range of musics-from medieval chant and psalmody to protest songs, metal, and Daft Punk.
Using a variety of methodological perspectives, this volume explores ethical and doctrinal implications in the social practice of music. Grouped according to the threefold ministry of Christ (prophet, priest, shepherd) the essays discuss a wide range of musics-from medieval chant and psalmody to protest songs, metal, and Daft Punk.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Michael O'Connor; Hyun-Ah Kim and Christina Labriola - Contributions by Awet Iassu Andemicael; C. Michael Hawn; Maeve Louise Heaney; Chelsea Hodge; Michael J. Iafrate; Ella Johnson; Hyun-Ah Kim; Christina Labriola; Ann Loades; Bruce T. Morrill;
Inhaltsangabe
Introduction Part One: A Prophetic Role for Music: Protest and Liberation Chapter One: Turning Hymns into Protest: Zilphia Horton and the Role of Musical Memory in Labor in the New Deal Era Chapter Two: Punk Rock and/as Liberation Theology Chapter Three: Mercy, Music, and the Prophetic Voice of Theology: Jon Sobrino's Extra Pauperes Nulla Salus Chapter Four: A Prophetic Role for Music: A Response and Synthesis Part Two: A Pastoral Role for Music: Creating Community Chapter Five: Sacred Love: The (Eco)Theology of Sting Chapter Six: Music, Religion, and Peacebuilding: The Pontanima Choir of Sarajevo Chapter Seven: Breaking Stereotypes and Building Bridges: Nihilism, Lament, And Theodicy Within The Extreme Metal Music Culture Chapter Eight: A Pastoral Role For Music: Sacramental and Salvific Powers Part Three: A Priestly Role for Music: Reconciliation and Restoration Chapter Nine: Random Access Liturgies: Daft Punk as Robotic Priests Restoring Humanity Chapter Ten: Recalling the Original Harmony of Paradise: The Nexus of Music, Ethics, and Spirituality in Hildegard of Bingen's Ordo Virtutum Chapter Eleven: The Nightingale of Christ's Redemption Song: Mechthild of Hackeborn's Musical Apostolate Chapter Twelve: Music as Theology: Singing Prophetic Truth, Sounding the Reign of God Chapter Thirteen: A Priestly Role for Music: Concluding Reflection
Introduction Part One: A Prophetic Role for Music: Protest and Liberation Chapter One: Turning Hymns into Protest: Zilphia Horton and the Role of Musical Memory in Labor in the New Deal Era Chapter Two: Punk Rock and/as Liberation Theology Chapter Three: Mercy, Music, and the Prophetic Voice of Theology: Jon Sobrino's Extra Pauperes Nulla Salus Chapter Four: A Prophetic Role for Music: A Response and Synthesis Part Two: A Pastoral Role for Music: Creating Community Chapter Five: Sacred Love: The (Eco)Theology of Sting Chapter Six: Music, Religion, and Peacebuilding: The Pontanima Choir of Sarajevo Chapter Seven: Breaking Stereotypes and Building Bridges: Nihilism, Lament, And Theodicy Within The Extreme Metal Music Culture Chapter Eight: A Pastoral Role For Music: Sacramental and Salvific Powers Part Three: A Priestly Role for Music: Reconciliation and Restoration Chapter Nine: Random Access Liturgies: Daft Punk as Robotic Priests Restoring Humanity Chapter Ten: Recalling the Original Harmony of Paradise: The Nexus of Music, Ethics, and Spirituality in Hildegard of Bingen's Ordo Virtutum Chapter Eleven: The Nightingale of Christ's Redemption Song: Mechthild of Hackeborn's Musical Apostolate Chapter Twelve: Music as Theology: Singing Prophetic Truth, Sounding the Reign of God Chapter Thirteen: A Priestly Role for Music: Concluding Reflection
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