Introduction by Normal Carey, Jack Douthett, and Martha M. Hyde Preface by Charles J. Smith "Cardinality Equals Variety for Chords" in Well Formed Scales, with a Note on the Twin Primes Conjecture David Clampitt Flip Flop Circles and Their Groups John Clough Pitch Time Analogies and Transformations in Bartók's Sonata for Two Pianos and Percussion Richard Cohn Filtered Point Symmetry and Dynamical Voice Leading Jack Douthett The "Over Determined" Triad as a Source of Discord: Nascent Groups and the Emergent Chromatic Tonality in Nineteenth Century German Harmonic Theory Nineteenth Century German Harmonic Theory Nora Engebretsen Signature Transformations Julian Hook Some Pedagogical Implications of Diatonic and Neo Riemannian Theory Timothy Johnson A Parsimony Metric for Diatonic Sequences Jonathan Kochavi Transformational Considerations in Schoenberg's Opus 23, Number 3 David Lewin Transformational Etudes: Basic Principles and Applications of Interval String Theory Stephen Soderberg
Introduction by Normal Carey, Jack Douthett, and Martha M. Hyde Preface by Charles J. Smith "Cardinality Equals Variety for Chords" in Well Formed Scales, with a Note on the Twin Primes Conjecture David Clampitt Flip Flop Circles and Their Groups John Clough Pitch Time Analogies and Transformations in Bartók's Sonata for Two Pianos and Percussion Richard Cohn Filtered Point Symmetry and Dynamical Voice Leading Jack Douthett The "Over Determined" Triad as a Source of Discord: Nascent Groups and the Emergent Chromatic Tonality in Nineteenth Century German Harmonic Theory Nineteenth Century German Harmonic Theory Nora Engebretsen Signature Transformations Julian Hook Some Pedagogical Implications of Diatonic and Neo Riemannian Theory Timothy Johnson A Parsimony Metric for Diatonic Sequences Jonathan Kochavi Transformational Considerations in Schoenberg's Opus 23, Number 3 David Lewin Transformational Etudes: Basic Principles and Applications of Interval String Theory Stephen Soderberg
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