Distinguished volume. Notes -- Historical, theoretical and analytical studies of principally nineteenth- and twentieth-century topics, reflecting current musical research.
Distinguished volume. Notes -- Historical, theoretical and analytical studies of principally nineteenth- and twentieth-century topics, reflecting current musical research.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Chord, Collection, and Set in Twentieth Century Theory Jonathan W. Bernard Scriabin's Music: Structure as Prism for Mystical Philosophy James M. Baker Tonality: A Conflict of Forces Patricia Carpenter Neoclassicism and Its Definitions Pieter C. van den Toorn Modernist Aesthetics, Modernist Music: Some Analytical Perspectives Arnold Whittall Salient Features John Rothgeb Synthesis and Association, Structure and Design in Multi Movement. Compositions David Neumeyer Tonal/Atonal: Cognitive Strategies for Recognizing Transposed Melodies Elizabeth West Marvin Voice Leading in Atonal Music Joseph N. Straus K, Kh, and Beyond Robert D. Morris The Submediant as Third Divider: Its Representation at Different Structural Levels David W. Beach The Form of Chopin's Polonaise Fantasy William Rothstein Chasing the Scent: Tonality in Liszt's Blume und Duft Robert P. Morgan Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Song and Jazz Steven E. Gilbert Bitonality, Pentatonicism, and Diatonicism in a Work by Milhaud Daniel Harrison Signposts on Webern's Path to Atonality: The Dehmel Lieder (1906 08) Robert W. Wason Some Notes on Pierrot Lunaire David Lewin Form and Idea in Schoenberg's Phantasy Christopher Hasty Elision and Structural Levels in Peter Maxwell Davies's Dark Angels Ann K. McNamee Index
Introduction Chord, Collection, and Set in Twentieth Century Theory Jonathan W. Bernard Scriabin's Music: Structure as Prism for Mystical Philosophy James M. Baker Tonality: A Conflict of Forces Patricia Carpenter Neoclassicism and Its Definitions Pieter C. van den Toorn Modernist Aesthetics, Modernist Music: Some Analytical Perspectives Arnold Whittall Salient Features John Rothgeb Synthesis and Association, Structure and Design in Multi Movement. Compositions David Neumeyer Tonal/Atonal: Cognitive Strategies for Recognizing Transposed Melodies Elizabeth West Marvin Voice Leading in Atonal Music Joseph N. Straus K, Kh, and Beyond Robert D. Morris The Submediant as Third Divider: Its Representation at Different Structural Levels David W. Beach The Form of Chopin's Polonaise Fantasy William Rothstein Chasing the Scent: Tonality in Liszt's Blume und Duft Robert P. Morgan Reflections on a Few Good Tunes: Linear Progressions and Intervallic Patterns in Popular Song and Jazz Steven E. Gilbert Bitonality, Pentatonicism, and Diatonicism in a Work by Milhaud Daniel Harrison Signposts on Webern's Path to Atonality: The Dehmel Lieder (1906 08) Robert W. Wason Some Notes on Pierrot Lunaire David Lewin Form and Idea in Schoenberg's Phantasy Christopher Hasty Elision and Structural Levels in Peter Maxwell Davies's Dark Angels Ann K. McNamee Index
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