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In the fall of 2003 I was invited to lead a team of music therapists in Bosnia and Herzegovina (BiH), a country that had been recently savaged by two brutal inter-ethnic wars. The program operated out of the Pavarotti Music Centre on the East side of Mostar, a divided city in the southwest region of BiH. My journey over the next four years was epically challenged by my immersion into the complexities of post-conflict recovery, and the cultural confusion that followed the atrocities of those wars. Together with academic perspectives and performative writing techniques, the chapters explore a…mehr

Produktbeschreibung
In the fall of 2003 I was invited to lead a team of music therapists in Bosnia and Herzegovina (BiH), a country that had been recently savaged by two brutal inter-ethnic wars. The program operated out of the Pavarotti Music Centre on the East side of Mostar, a divided city in the southwest region of BiH. My journey over the next four years was epically challenged by my immersion into the complexities of post-conflict recovery, and the cultural confusion that followed the atrocities of those wars. Together with academic perspectives and performative writing techniques, the chapters explore a trail of thematic material that emerged during a confusing, ambiguous repatriation period in the years following my time in Bosnia. As an autoethnography it ultimately aims toward a deeper understanding of my own culpability as a leader of a small multi-ethnic team in Mostar, BiH, and the implications this may have for arts-based fieldwork practice in post conflict regions.
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Autorenporträt
Dr. Woodward is an accredited music therapist with over 15 years of clinical experience in hospital environments. From 2004-2007 she was the clinical supervisor and team leader for a small international team of music therapists working with children and youth in Bosnia and Herzegovina.