Here translated for the first time, Jean-Jacques Nattiez's widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner's Tristan and Isolde.
Here translated for the first time, Jean-Jacques Nattiez's widely hailed comparative guide to the techniques of music analysis focuses on a single vivid passage from Wagner's Tristan and Isolde.
JEAN-JACQUES NATTIEZ is professor emeritus of musicology at the Université de Montréal. He is renowned figure in music theory, musicology, and ethnomusicology, and has published more than a dozen books across these disciplines, many of which have been translated into English. Jonathan Goldman is associate professor of musicology at the Université de Montréal. Together with Jonathan Dunsby, he is the editor of The Dawn of Music Semiology.
Inhaltsangabe
Foreword by Pierre Boulez Preface Introduction: The English Horn Solo, My Approach, and Models of Analysis and Musical Meaning PART I: IMMANENT ANALYSIS OF THE ENGLISH HORN SOLO'S MUSICAL STRUCTURES Linear Analyses Formenlehre Analyses Paradigmatic Analyses PART II: ESTHETIC ANALYSIS Performances as Initial Esthesic Analyses Esthesic Analysis of the Solo's Immanent Structures Esthesic Analysis of the Solo's Semantic Associations PART III: POIETIC ANALYSIS Musical Sources for the Solo The Solo's Composition: Sketches and the Creative Process PART IV: HERMENEUTICS The Shepherd's Melody at Risk of Psychoanalysis The Shepherd's Melody and the English Horn in Tristan "This Shepherd's Metaphysical Melody" Conclusion: The Validity of Structural Analyses and Interpretations Bibliography Index
Foreword by Pierre Boulez Preface Introduction: The English Horn Solo, My Approach, and Models of Analysis and Musical Meaning PART I: IMMANENT ANALYSIS OF THE ENGLISH HORN SOLO'S MUSICAL STRUCTURES Linear Analyses Formenlehre Analyses Paradigmatic Analyses PART II: ESTHETIC ANALYSIS Performances as Initial Esthesic Analyses Esthesic Analysis of the Solo's Immanent Structures Esthesic Analysis of the Solo's Semantic Associations PART III: POIETIC ANALYSIS Musical Sources for the Solo The Solo's Composition: Sketches and the Creative Process PART IV: HERMENEUTICS The Shepherd's Melody at Risk of Psychoanalysis The Shepherd's Melody and the English Horn in Tristan "This Shepherd's Metaphysical Melody" Conclusion: The Validity of Structural Analyses and Interpretations Bibliography Index
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