Aimed at students and researchers of music history, publishing history and cultural history, this study illuminates ideas of creativity and individuality in the seventeenth century. Its interdisciplinary approach shows how notions of the musical author were defined via the making, ownership, performance and reception of music.
Aimed at students and researchers of music history, publishing history and cultural history, this study illuminates ideas of creativity and individuality in the seventeenth century. Its interdisciplinary approach shows how notions of the musical author were defined via the making, ownership, performance and reception of music.
Stephen Rose is Professor of Music at Royal Holloway, University of London. He is the author of The Musician in Literature in the Age of Bach (Cambridge, 2011) and editor of Leipzig Church Music from the Sherard Collection (2014), he is also the co-editor of the journal Early Music.
Inhaltsangabe
Introduction 1. God, talent, craft: concepts of musical creativity 2. Between imitatio and plagiarism 3. Signs of individuality 4. Rites of musical ownership 5. The regulation of novelty 6. Authorship and performance Conclusion.
Introduction 1. God, talent, craft: concepts of musical creativity 2. Between imitatio and plagiarism 3. Signs of individuality 4. Rites of musical ownership 5. The regulation of novelty 6. Authorship and performance Conclusion.
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