Musical Ecologies
Instrumental Music Ensembles Around the World
Herausgeber: Southcott, Jane; de Bruin, Leon R
Musical Ecologies
Instrumental Music Ensembles Around the World
Herausgeber: Southcott, Jane; de Bruin, Leon R
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Community music around the world reflects the growing and diverse ways humans collectivize and express themselves. This co-edited volume investigates beyond generalist intercultural and internationalist concepts to reveal the complexity of social ways people come together to make music.
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Community music around the world reflects the growing and diverse ways humans collectivize and express themselves. This co-edited volume investigates beyond generalist intercultural and internationalist concepts to reveal the complexity of social ways people come together to make music.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 258
- Erscheinungstermin: 11. November 2022
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 398g
- ISBN-13: 9781032184333
- ISBN-10: 1032184337
- Artikelnr.: 64617884
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 258
- Erscheinungstermin: 11. November 2022
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 398g
- ISBN-13: 9781032184333
- ISBN-10: 1032184337
- Artikelnr.: 64617884
Leon R de Bruin is an educator, performer, and researcher in music education, creativity, cognition, creative pedagogies, and improvisation. He is Lecturer in Music at the University of Melbourne, Conservatorium of Music, co-ordinating the Master of Music Performance Teaching degree (MMPT). He is a staunch advocate for quality music education in Australia and music teacher education, and is Australian Society for Music Education National President, and an executive of ISME Instrumental and Vocal Teaching Commission (IVMTC). He has published over 50 articles, chapters, and edited books, including Revolutions in Music Education: Historical and Social Implications, Creativities in Arts Education, Research and Practice: International Perspectives for the Future of Learning and Teaching, and Creativity in Education in the Oxford Research Encyclopaedia of Education. Jane Southcott is a professor, Faculty of Education, Monash University, Australia. Jane researches the history of the music curriculum in Australia, America, and Europe, and she is also a hermeneutic phenomenologist researching community engagement with the arts, multicultural music education, and cultural identity with a focus on lifelong education. Jane teaches in postgraduate programs and supervises many postgraduate research students. Dr Southcott is co-editor of the International Journal of Music Education, a member of the editorial boards of international and national refereed journals, and a life member of the Australian and New Zealand Association for Research in Music Education.
List of Contributors
Foreword
Chapter 1. Introduction - Redefining the Field
Leon R de Bruin and Jane Southcott
PART 1: MAINTAINING AND DISRUPTING TRADITIONS: CULTURAL, POLITICAL,
ENVIRONMENTAL ECOLOGIES OF COMMUNITY MUSIC PRACTICES
- Maintaining/ disrupting traditions
- Theoretical perspectives and landscapes -
re-territory/deterritorialization
- Reimagining the community music ensemble
- Innovation/stasis/ in the community ensemble
Chapter 2. Shifting the Conservatory Narrative: Designing University
Curriculum that Celebrates Communities' Musics
Te Oti Rakena and John Coulter
Chapter 3. Optimising the Feedback Loop Between Community and Community
Ensemble: A Case Study
Adam Starr
Chapter 4. The Venda tshikona Reed-Pipe Dance as Community Music: Mapping
the Ecology of a South African Traditional Music
Susan Harrop-Allin and Dean Salant
Chapter 5. An Inclusion Strategy Approach for Deepening Community Music
Engagement in Non-Metropolitan Australia
Graham Sattler and Phil Mullen
PART 2: THE RHYZOMAL ASSEMBLAGE: INTERACTIONS AND LOCALIZED MICRO-SYSTEMS
OF INDIVIDUALS' COMMUNAL EXISTENCE
- Musical ecologies and ecosystems
- Multiple participation, diverse agencies and identities
- Individual and group agency
- Action and intra-action in community musicking
Chapter 6. Agua! The flourishing of Latin Music in Melbourne, Australia
Leon R de Bruin
Chapter 7. Synthesis and Embodiment: The Lowell String Project as Complex
Musical Ecosystem
Elissa Johnson-Green
Chapter 8. Mount Gambier's Generations in Jazz: The Impact of Community and
Cross-Regional Partnerships
Adam Hardcastle
Chapter 9. Friends in Concert: Growing Music Teacher Identities through
Community Music Making
Yan Chen Alvyn Eng, Siew Ling Chua and James Lee
Chapter 10. Training and Retaining Traditions: The Grainger Wind Symphony
Jane Southcott and Leon R de Bruin
PART 3: WIDER MESO-SYSTEMS OF SOCIAL AND CULTURAL CHANGE, EVOLUTION AND
INNOVATION
- Specific practices, interactions environments, partnerships and
collaborations
- The ethics of specific instrumental community music ensembles
- Local/glocal/international perspectives and movements
- Creativities in instrumental community music - how is it different/ same
between prof and amateur
Chapter 11. The Armidale Symphony Orchestra: The Ecology of a Regional
Orchestra
Alana Blackburn
Chapter 12. Friends in Music: The Chao Feng Chinese Orchestra, Melbourne,
Australia
Jane Southcott and Vicky Liao
Chapter 13. The Golden Age Ensemble: A Community Music Partnership
Chi Ying Lam
Chapter 14. PUBlic Choir: Facilitating an Emergent Musicking Community
Graham Sattler
Chapter 15. Jazz, Improvisation, Community: The Affective Constitution of
Social Identity
Chris Stover
Chapter 16. Postlude
Leon R de Bruin and Jane Southcott
References
Index
Foreword
Chapter 1. Introduction - Redefining the Field
Leon R de Bruin and Jane Southcott
PART 1: MAINTAINING AND DISRUPTING TRADITIONS: CULTURAL, POLITICAL,
ENVIRONMENTAL ECOLOGIES OF COMMUNITY MUSIC PRACTICES
- Maintaining/ disrupting traditions
- Theoretical perspectives and landscapes -
re-territory/deterritorialization
- Reimagining the community music ensemble
- Innovation/stasis/ in the community ensemble
Chapter 2. Shifting the Conservatory Narrative: Designing University
Curriculum that Celebrates Communities' Musics
Te Oti Rakena and John Coulter
Chapter 3. Optimising the Feedback Loop Between Community and Community
Ensemble: A Case Study
Adam Starr
Chapter 4. The Venda tshikona Reed-Pipe Dance as Community Music: Mapping
the Ecology of a South African Traditional Music
Susan Harrop-Allin and Dean Salant
Chapter 5. An Inclusion Strategy Approach for Deepening Community Music
Engagement in Non-Metropolitan Australia
Graham Sattler and Phil Mullen
PART 2: THE RHYZOMAL ASSEMBLAGE: INTERACTIONS AND LOCALIZED MICRO-SYSTEMS
OF INDIVIDUALS' COMMUNAL EXISTENCE
- Musical ecologies and ecosystems
- Multiple participation, diverse agencies and identities
- Individual and group agency
- Action and intra-action in community musicking
Chapter 6. Agua! The flourishing of Latin Music in Melbourne, Australia
Leon R de Bruin
Chapter 7. Synthesis and Embodiment: The Lowell String Project as Complex
Musical Ecosystem
Elissa Johnson-Green
Chapter 8. Mount Gambier's Generations in Jazz: The Impact of Community and
Cross-Regional Partnerships
Adam Hardcastle
Chapter 9. Friends in Concert: Growing Music Teacher Identities through
Community Music Making
Yan Chen Alvyn Eng, Siew Ling Chua and James Lee
Chapter 10. Training and Retaining Traditions: The Grainger Wind Symphony
Jane Southcott and Leon R de Bruin
PART 3: WIDER MESO-SYSTEMS OF SOCIAL AND CULTURAL CHANGE, EVOLUTION AND
INNOVATION
- Specific practices, interactions environments, partnerships and
collaborations
- The ethics of specific instrumental community music ensembles
- Local/glocal/international perspectives and movements
- Creativities in instrumental community music - how is it different/ same
between prof and amateur
Chapter 11. The Armidale Symphony Orchestra: The Ecology of a Regional
Orchestra
Alana Blackburn
Chapter 12. Friends in Music: The Chao Feng Chinese Orchestra, Melbourne,
Australia
Jane Southcott and Vicky Liao
Chapter 13. The Golden Age Ensemble: A Community Music Partnership
Chi Ying Lam
Chapter 14. PUBlic Choir: Facilitating an Emergent Musicking Community
Graham Sattler
Chapter 15. Jazz, Improvisation, Community: The Affective Constitution of
Social Identity
Chris Stover
Chapter 16. Postlude
Leon R de Bruin and Jane Southcott
References
Index
List of Contributors
Foreword
Chapter 1. Introduction - Redefining the Field
Leon R de Bruin and Jane Southcott
PART 1: MAINTAINING AND DISRUPTING TRADITIONS: CULTURAL, POLITICAL,
ENVIRONMENTAL ECOLOGIES OF COMMUNITY MUSIC PRACTICES
- Maintaining/ disrupting traditions
- Theoretical perspectives and landscapes -
re-territory/deterritorialization
- Reimagining the community music ensemble
- Innovation/stasis/ in the community ensemble
Chapter 2. Shifting the Conservatory Narrative: Designing University
Curriculum that Celebrates Communities' Musics
Te Oti Rakena and John Coulter
Chapter 3. Optimising the Feedback Loop Between Community and Community
Ensemble: A Case Study
Adam Starr
Chapter 4. The Venda tshikona Reed-Pipe Dance as Community Music: Mapping
the Ecology of a South African Traditional Music
Susan Harrop-Allin and Dean Salant
Chapter 5. An Inclusion Strategy Approach for Deepening Community Music
Engagement in Non-Metropolitan Australia
Graham Sattler and Phil Mullen
PART 2: THE RHYZOMAL ASSEMBLAGE: INTERACTIONS AND LOCALIZED MICRO-SYSTEMS
OF INDIVIDUALS' COMMUNAL EXISTENCE
- Musical ecologies and ecosystems
- Multiple participation, diverse agencies and identities
- Individual and group agency
- Action and intra-action in community musicking
Chapter 6. Agua! The flourishing of Latin Music in Melbourne, Australia
Leon R de Bruin
Chapter 7. Synthesis and Embodiment: The Lowell String Project as Complex
Musical Ecosystem
Elissa Johnson-Green
Chapter 8. Mount Gambier's Generations in Jazz: The Impact of Community and
Cross-Regional Partnerships
Adam Hardcastle
Chapter 9. Friends in Concert: Growing Music Teacher Identities through
Community Music Making
Yan Chen Alvyn Eng, Siew Ling Chua and James Lee
Chapter 10. Training and Retaining Traditions: The Grainger Wind Symphony
Jane Southcott and Leon R de Bruin
PART 3: WIDER MESO-SYSTEMS OF SOCIAL AND CULTURAL CHANGE, EVOLUTION AND
INNOVATION
- Specific practices, interactions environments, partnerships and
collaborations
- The ethics of specific instrumental community music ensembles
- Local/glocal/international perspectives and movements
- Creativities in instrumental community music - how is it different/ same
between prof and amateur
Chapter 11. The Armidale Symphony Orchestra: The Ecology of a Regional
Orchestra
Alana Blackburn
Chapter 12. Friends in Music: The Chao Feng Chinese Orchestra, Melbourne,
Australia
Jane Southcott and Vicky Liao
Chapter 13. The Golden Age Ensemble: A Community Music Partnership
Chi Ying Lam
Chapter 14. PUBlic Choir: Facilitating an Emergent Musicking Community
Graham Sattler
Chapter 15. Jazz, Improvisation, Community: The Affective Constitution of
Social Identity
Chris Stover
Chapter 16. Postlude
Leon R de Bruin and Jane Southcott
References
Index
Foreword
Chapter 1. Introduction - Redefining the Field
Leon R de Bruin and Jane Southcott
PART 1: MAINTAINING AND DISRUPTING TRADITIONS: CULTURAL, POLITICAL,
ENVIRONMENTAL ECOLOGIES OF COMMUNITY MUSIC PRACTICES
- Maintaining/ disrupting traditions
- Theoretical perspectives and landscapes -
re-territory/deterritorialization
- Reimagining the community music ensemble
- Innovation/stasis/ in the community ensemble
Chapter 2. Shifting the Conservatory Narrative: Designing University
Curriculum that Celebrates Communities' Musics
Te Oti Rakena and John Coulter
Chapter 3. Optimising the Feedback Loop Between Community and Community
Ensemble: A Case Study
Adam Starr
Chapter 4. The Venda tshikona Reed-Pipe Dance as Community Music: Mapping
the Ecology of a South African Traditional Music
Susan Harrop-Allin and Dean Salant
Chapter 5. An Inclusion Strategy Approach for Deepening Community Music
Engagement in Non-Metropolitan Australia
Graham Sattler and Phil Mullen
PART 2: THE RHYZOMAL ASSEMBLAGE: INTERACTIONS AND LOCALIZED MICRO-SYSTEMS
OF INDIVIDUALS' COMMUNAL EXISTENCE
- Musical ecologies and ecosystems
- Multiple participation, diverse agencies and identities
- Individual and group agency
- Action and intra-action in community musicking
Chapter 6. Agua! The flourishing of Latin Music in Melbourne, Australia
Leon R de Bruin
Chapter 7. Synthesis and Embodiment: The Lowell String Project as Complex
Musical Ecosystem
Elissa Johnson-Green
Chapter 8. Mount Gambier's Generations in Jazz: The Impact of Community and
Cross-Regional Partnerships
Adam Hardcastle
Chapter 9. Friends in Concert: Growing Music Teacher Identities through
Community Music Making
Yan Chen Alvyn Eng, Siew Ling Chua and James Lee
Chapter 10. Training and Retaining Traditions: The Grainger Wind Symphony
Jane Southcott and Leon R de Bruin
PART 3: WIDER MESO-SYSTEMS OF SOCIAL AND CULTURAL CHANGE, EVOLUTION AND
INNOVATION
- Specific practices, interactions environments, partnerships and
collaborations
- The ethics of specific instrumental community music ensembles
- Local/glocal/international perspectives and movements
- Creativities in instrumental community music - how is it different/ same
between prof and amateur
Chapter 11. The Armidale Symphony Orchestra: The Ecology of a Regional
Orchestra
Alana Blackburn
Chapter 12. Friends in Music: The Chao Feng Chinese Orchestra, Melbourne,
Australia
Jane Southcott and Vicky Liao
Chapter 13. The Golden Age Ensemble: A Community Music Partnership
Chi Ying Lam
Chapter 14. PUBlic Choir: Facilitating an Emergent Musicking Community
Graham Sattler
Chapter 15. Jazz, Improvisation, Community: The Affective Constitution of
Social Identity
Chris Stover
Chapter 16. Postlude
Leon R de Bruin and Jane Southcott
References
Index