This book explores the exchange of music, musicians and musical practice between Britain and the Continent in the period c.1500-1800.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction John Cunningham and Bryan White 'Qui en ont porté la connoissance dans les autres Royaumes': The Transmission of Music for Viols by Emigrant Composers in Seventeenth Century England Patxi del Amo 'The Tunes of the usual French Dances at COURT and DANCING SCHOOLS': The Repertoire and Musical Practice of Dancing Masters in Restoration England Andrew Woolley 'An Inexhaustible Treasure of Harmony'? Composition and Variation in William Babell's Twenty four Solos Alan Howard The Fashion for Corelli in Eighteenth Century England Min Jung Kang 'After the Italian manner': Finger, Pepusch and the First Concertos in England Robert G Rawson Geminiani's Minuets in Britain and on the Continent Rudolf Rasch Battles and Bransles: The Role of the Swiss Pair in Early Modern Courtly Society Nancy Hadden Lost in Translation?: Louis Grabu and John Dryden's Albion and Albanius Bryan White The Figuring of Bass Parts in German Dance Music from the Second Half of the Seventeenth Century; What it Tells us About their Performance Michael Robertson Harmonic Language and Playing Style of English 'Continued Bass' in the Seventeenth Century Thérèse de Goede Melodic Aspects of the Cadential Six Four in Eighteenth Century Music Michael Talbot 'Before him stood sundry sweet Singers of this our Israel': The Chorus Singers for Handel's London Oratorio Performances Donald Burrows 'Seven Young Hautboys': The Impact of German Hautboisten on English Musical Life, 1680 1800 Samantha Owens British Concert Repertoire and its Dispersal in Europe: Sets of Parts in the Utile Dulci Library, Stockholm Fiona Smith Angelo Notari and the English Court Johnathan Wainwright The Elusive Identity of John Playford Robert Thompson James Sherard as Music Collector Stephen Rose New Light on William Corbett's Gresham College Bequest John Cunningham Philip Hayes and the Preservation and Dissemination of Purcell's Music in Eighteenth Century England Rebecca Herissone Rameau and the English Graham Sadler Stephen Storace as a Disciple of Mozart Julian Rushton Working with Peter Holman: From a Seat in The Parley of Instruments Judy Tarling Peter Holman: A Family Memoir Tricia Holman The Works of Peter Holman Index
Introduction John Cunningham and Bryan White 'Qui en ont porté la connoissance dans les autres Royaumes': The Transmission of Music for Viols by Emigrant Composers in Seventeenth Century England Patxi del Amo 'The Tunes of the usual French Dances at COURT and DANCING SCHOOLS': The Repertoire and Musical Practice of Dancing Masters in Restoration England Andrew Woolley 'An Inexhaustible Treasure of Harmony'? Composition and Variation in William Babell's Twenty four Solos Alan Howard The Fashion for Corelli in Eighteenth Century England Min Jung Kang 'After the Italian manner': Finger, Pepusch and the First Concertos in England Robert G Rawson Geminiani's Minuets in Britain and on the Continent Rudolf Rasch Battles and Bransles: The Role of the Swiss Pair in Early Modern Courtly Society Nancy Hadden Lost in Translation?: Louis Grabu and John Dryden's Albion and Albanius Bryan White The Figuring of Bass Parts in German Dance Music from the Second Half of the Seventeenth Century; What it Tells us About their Performance Michael Robertson Harmonic Language and Playing Style of English 'Continued Bass' in the Seventeenth Century Thérèse de Goede Melodic Aspects of the Cadential Six Four in Eighteenth Century Music Michael Talbot 'Before him stood sundry sweet Singers of this our Israel': The Chorus Singers for Handel's London Oratorio Performances Donald Burrows 'Seven Young Hautboys': The Impact of German Hautboisten on English Musical Life, 1680 1800 Samantha Owens British Concert Repertoire and its Dispersal in Europe: Sets of Parts in the Utile Dulci Library, Stockholm Fiona Smith Angelo Notari and the English Court Johnathan Wainwright The Elusive Identity of John Playford Robert Thompson James Sherard as Music Collector Stephen Rose New Light on William Corbett's Gresham College Bequest John Cunningham Philip Hayes and the Preservation and Dissemination of Purcell's Music in Eighteenth Century England Rebecca Herissone Rameau and the English Graham Sadler Stephen Storace as a Disciple of Mozart Julian Rushton Working with Peter Holman: From a Seat in The Parley of Instruments Judy Tarling Peter Holman: A Family Memoir Tricia Holman The Works of Peter Holman Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
