Musical Form and Transformation collects four of David Lewin's analytic essays to stimulate thought about the general methodology of musical analysis and issues of large-scale form as they relate to transformational analytic structuring.
Musical Form and Transformation collects four of David Lewin's analytic essays to stimulate thought about the general methodology of musical analysis and issues of large-scale form as they relate to transformational analytic structuring.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Over his 42-year teaching career, David Lewin taught composition, with an increasing focus on music theory, at the University of California at Berkeley, the State University of New York at Stony Brook, Yale University, and finally at Harvard University. Among his music-theoretic writings are many articles and books, including Generalized Musical Internvals and Transformations (Yale, 1987) and Studies in Music with Text (posthumous, Oxford 2006). He was the recipient of honorary doctoral degrees from the University of Chicago, the New England Conservatory of Music, and the Marc Bloch University, Strasbourg, France, for his work in music theory.
Inhaltsangabe
* Foreword by Ed Gollin * Introduction * 1.: Serial Transformation Networks in Dallapiccola's "Simbolo" * 2.: Making and Using a Pcset Network for Stockhausen's Klavierstuck III * 3.: Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4 * 4.: A Transformational Basis for Form and Prolongation in Debussy's "Feux d'Artifice" * References Index
* Foreword by Ed Gollin * Introduction * 1.: Serial Transformation Networks in Dallapiccola's "Simbolo" * 2.: Making and Using a Pcset Network for Stockhausen's Klavierstuck III * 3.: Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4 * 4.: A Transformational Basis for Form and Prolongation in Debussy's "Feux d'Artifice" * References Index
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