Musical Genre and Romantic Ideology - Gelbart, Matthew
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Musical Genre and Romantic Ideology charts the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. In case studies from across nineteenth-century Europe, author Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging.

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Produktbeschreibung
Musical Genre and Romantic Ideology charts the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. In case studies from across nineteenth-century Europe, author Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging.
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Autorenporträt
Matthew Gelbart is Associate Professor of Music at Fordham University. Following his previous book The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner and his work on nineteenth-century European music and twentieth-century popular music, he is interested in how we make meaning from music through categories and identities.