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Diverse perspectives and alternate takes on musical improvisation
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Diverse perspectives and alternate takes on musical improvisation
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Illinois Press
- Seitenzahl: 376
- Erscheinungstermin: 24. Juli 2009
- Englisch
- Abmessung: 226mm x 153mm x 25mm
- Gewicht: 546g
- ISBN-13: 9780252076541
- ISBN-10: 0252076540
- Artikelnr.: 26570112
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University of Illinois Press
- Seitenzahl: 376
- Erscheinungstermin: 24. Juli 2009
- Englisch
- Abmessung: 226mm x 153mm x 25mm
- Gewicht: 546g
- ISBN-13: 9780252076541
- ISBN-10: 0252076540
- Artikelnr.: 26570112
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Gabriel Solis is an associate professor of music and African American studies at the University of Illinois at Urbana-Champaign and the author of Monk's Music: Thelonious Monk and Jazz History in the Making.Bruno Nettl is a professor emeritus of music and anthropology at the University of Illinois at Urbana-Champaign and the author of The Study of Ethnomusicology: Thirty-one Issues and Concepts and other works.
Preface ix
Bruno Nettl
Introduction 1
Gabriel Solis
PART ONE: SOCIETY
1. Jazz as Political and Musical Practice 21
Ingrid Monson
2. John Cage and Improvisation: An Unresolved Relationship 38
Sabine M. Feisst
3. When Traditional Improvisation Is Prohibited: Contemporary Ukrainian
Funeral Laments and Burial Practices 52
Natalie Kononenko
4. The Juncture between Creation and Re-creation among Indonesian Reciters
of the Qur'an 72
Anne K. Rasmussen
5. Genius, Improvisation, and the Narratives of Jazz History 90
Gabriel Solis
6. Formulas and Improvisation in Participatory Music 103
Thomas Turino
PART TWO: EDUCATION
7. Learning to Improvise Music, Improvising to Learn Music 119
Patricia Shehan Campbell
8. Improvising Mozart 143
Robert Levin
9. Keyboard Improvisation in the Baroque Period 150
Charlotte Mattax Moersch
10. Beyond the Improvisation Class: Learning to Improvise in a University
Jazz Studies Program 171
John P. Murphy
11. On Learning the Radif and Improvisation in Iran 185
Bruno Nettl
12. Hindustani Sitar and Jazz Guitar Music: A Foray into Comparative
Improvology 200
Stephen Slawek
13. Musical Improvisation in the Modern Dance Class: Techniques and
Approaches in Fulfilling a Multi-Layered Role 221
John Toenjes
PART THREE: CREATION
14. Representations of Music Making 239
Stephen Blum
15. Improvisation and Related Terms in Middle-Period Jazz 263
Lawrence Gushee
16. Opening the Museum Window: Improvisation and Its Inscribed Values in
Canonic Works by Chopin and Schumann 281
Robert S. Hatten
17. Improvisation in Beethoven's Creative Process 296
William Kinderman
18. Why Do They Improvise? Reflections on Meaning and Experience 313
Ali Jihad Racy
19. Preluding at the Piano 323
Nicholas Temperley
Contributors 343
Index 349
Bruno Nettl
Introduction 1
Gabriel Solis
PART ONE: SOCIETY
1. Jazz as Political and Musical Practice 21
Ingrid Monson
2. John Cage and Improvisation: An Unresolved Relationship 38
Sabine M. Feisst
3. When Traditional Improvisation Is Prohibited: Contemporary Ukrainian
Funeral Laments and Burial Practices 52
Natalie Kononenko
4. The Juncture between Creation and Re-creation among Indonesian Reciters
of the Qur'an 72
Anne K. Rasmussen
5. Genius, Improvisation, and the Narratives of Jazz History 90
Gabriel Solis
6. Formulas and Improvisation in Participatory Music 103
Thomas Turino
PART TWO: EDUCATION
7. Learning to Improvise Music, Improvising to Learn Music 119
Patricia Shehan Campbell
8. Improvising Mozart 143
Robert Levin
9. Keyboard Improvisation in the Baroque Period 150
Charlotte Mattax Moersch
10. Beyond the Improvisation Class: Learning to Improvise in a University
Jazz Studies Program 171
John P. Murphy
11. On Learning the Radif and Improvisation in Iran 185
Bruno Nettl
12. Hindustani Sitar and Jazz Guitar Music: A Foray into Comparative
Improvology 200
Stephen Slawek
13. Musical Improvisation in the Modern Dance Class: Techniques and
Approaches in Fulfilling a Multi-Layered Role 221
John Toenjes
PART THREE: CREATION
14. Representations of Music Making 239
Stephen Blum
15. Improvisation and Related Terms in Middle-Period Jazz 263
Lawrence Gushee
16. Opening the Museum Window: Improvisation and Its Inscribed Values in
Canonic Works by Chopin and Schumann 281
Robert S. Hatten
17. Improvisation in Beethoven's Creative Process 296
William Kinderman
18. Why Do They Improvise? Reflections on Meaning and Experience 313
Ali Jihad Racy
19. Preluding at the Piano 323
Nicholas Temperley
Contributors 343
Index 349
Preface ix
Bruno Nettl
Introduction 1
Gabriel Solis
PART ONE: SOCIETY
1. Jazz as Political and Musical Practice 21
Ingrid Monson
2. John Cage and Improvisation: An Unresolved Relationship 38
Sabine M. Feisst
3. When Traditional Improvisation Is Prohibited: Contemporary Ukrainian
Funeral Laments and Burial Practices 52
Natalie Kononenko
4. The Juncture between Creation and Re-creation among Indonesian Reciters
of the Qur'an 72
Anne K. Rasmussen
5. Genius, Improvisation, and the Narratives of Jazz History 90
Gabriel Solis
6. Formulas and Improvisation in Participatory Music 103
Thomas Turino
PART TWO: EDUCATION
7. Learning to Improvise Music, Improvising to Learn Music 119
Patricia Shehan Campbell
8. Improvising Mozart 143
Robert Levin
9. Keyboard Improvisation in the Baroque Period 150
Charlotte Mattax Moersch
10. Beyond the Improvisation Class: Learning to Improvise in a University
Jazz Studies Program 171
John P. Murphy
11. On Learning the Radif and Improvisation in Iran 185
Bruno Nettl
12. Hindustani Sitar and Jazz Guitar Music: A Foray into Comparative
Improvology 200
Stephen Slawek
13. Musical Improvisation in the Modern Dance Class: Techniques and
Approaches in Fulfilling a Multi-Layered Role 221
John Toenjes
PART THREE: CREATION
14. Representations of Music Making 239
Stephen Blum
15. Improvisation and Related Terms in Middle-Period Jazz 263
Lawrence Gushee
16. Opening the Museum Window: Improvisation and Its Inscribed Values in
Canonic Works by Chopin and Schumann 281
Robert S. Hatten
17. Improvisation in Beethoven's Creative Process 296
William Kinderman
18. Why Do They Improvise? Reflections on Meaning and Experience 313
Ali Jihad Racy
19. Preluding at the Piano 323
Nicholas Temperley
Contributors 343
Index 349
Bruno Nettl
Introduction 1
Gabriel Solis
PART ONE: SOCIETY
1. Jazz as Political and Musical Practice 21
Ingrid Monson
2. John Cage and Improvisation: An Unresolved Relationship 38
Sabine M. Feisst
3. When Traditional Improvisation Is Prohibited: Contemporary Ukrainian
Funeral Laments and Burial Practices 52
Natalie Kononenko
4. The Juncture between Creation and Re-creation among Indonesian Reciters
of the Qur'an 72
Anne K. Rasmussen
5. Genius, Improvisation, and the Narratives of Jazz History 90
Gabriel Solis
6. Formulas and Improvisation in Participatory Music 103
Thomas Turino
PART TWO: EDUCATION
7. Learning to Improvise Music, Improvising to Learn Music 119
Patricia Shehan Campbell
8. Improvising Mozart 143
Robert Levin
9. Keyboard Improvisation in the Baroque Period 150
Charlotte Mattax Moersch
10. Beyond the Improvisation Class: Learning to Improvise in a University
Jazz Studies Program 171
John P. Murphy
11. On Learning the Radif and Improvisation in Iran 185
Bruno Nettl
12. Hindustani Sitar and Jazz Guitar Music: A Foray into Comparative
Improvology 200
Stephen Slawek
13. Musical Improvisation in the Modern Dance Class: Techniques and
Approaches in Fulfilling a Multi-Layered Role 221
John Toenjes
PART THREE: CREATION
14. Representations of Music Making 239
Stephen Blum
15. Improvisation and Related Terms in Middle-Period Jazz 263
Lawrence Gushee
16. Opening the Museum Window: Improvisation and Its Inscribed Values in
Canonic Works by Chopin and Schumann 281
Robert S. Hatten
17. Improvisation in Beethoven's Creative Process 296
William Kinderman
18. Why Do They Improvise? Reflections on Meaning and Experience 313
Ali Jihad Racy
19. Preluding at the Piano 323
Nicholas Temperley
Contributors 343
Index 349