Joshua S. Walden's study of the genre of musical portraiture since 1945 focuses on significant composers of the period, including Pierre Boulez, Morton Feldman, Philip Glass, and Gy¿rgy Ligeti. Grounding his exploration in key works, Walden uncovers contemporary understandings of music's capacity to depict identity, and of intersections between music, literature, theater, film, and the visual arts.
Joshua S. Walden's study of the genre of musical portraiture since 1945 focuses on significant composers of the period, including Pierre Boulez, Morton Feldman, Philip Glass, and Gy¿rgy Ligeti. Grounding his exploration in key works, Walden uncovers contemporary understandings of music's capacity to depict identity, and of intersections between music, literature, theater, film, and the visual arts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joshua S. Walden is the author of Sounding Authentic: The Rural Miniature and Musical Modernism (Oxford University Press, 2014) and the editor of The Cambridge Companion to Jewish Music (2015) and Representation in Western Music (2013). His writings on music have received awards from ASCAP and the Association for Recorded Sound Collections.
Inhaltsangabe
Introduction: Portraiture as a Musical Genre Chapter 1: Musical and Literary Portraiture Chapter 2: Musical Portraits of Visual Artists Chapter 3: Listening in on Composers' Self-Portraits Chapter 4: Celebrity, Music, and the Multimedia Portrait Epilogue: Musical Portraiture, the Posthumous, and the Posthuman Bibliography
Introduction: Portraiture as a Musical Genre Chapter 1: Musical and Literary Portraiture Chapter 2: Musical Portraits of Visual Artists Chapter 3: Listening in on Composers' Self-Portraits Chapter 4: Celebrity, Music, and the Multimedia Portrait Epilogue: Musical Portraiture, the Posthumous, and the Posthuman Bibliography
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