Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
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"Hall's book is engaging, stimulating and generative. ... Hall provides readers with enough critical-musicking instruments to equip themselves as destructive musicians-or better, 'destructive musickers'-in their own right. ... Musical Revolutions is a compelling and well-crafted provocation for future scholars to 'Bring the Noise.'" (Martin Law, Marx and Philosophy, marxandphilosophy.org.uk, April, 2016)